A Long Way Gone Essay

Abby Leavengood HWL P. 5 9-26-12 A Long Way Gone Essay In Ismael Beah’s A Long Way Gone, violence and child soldier’s struggles is a major and common point. These passages were heart wrenching and difficult to get through. Beah went through a lot of hard times but he survived and pulled through with incredible strength and courage, even when that was not an easy thing to even think about doing. I believe that even though violence is an awful thing that no child should have to endure, I learned a lot through Beah’s awful experiences including war’s injustices and the importance of hope and courage.Ishmael Beah discovered that the only way he could continue on and stay remotely strong was through the use of drugs. I was able to understand that well not through my own experiences of course, but because I cannot imagine any other way of making it through those situations. Taking some form of drug to change your state of mind and allow you to zone out from your surroundings seems like a somewhat logical solution to enduring war as a 15 year old boy. I also learned how impossible it would be to not be addicted to these drugs and how painful the recovery process would be.Through Beah’s book, I also learned that the recovery process of some traumatic experiences can be a living hell. Breaking his drug addiction, learning to trust people again and stopping his persistent nightmares were not easy tasks. I am thankful for people like Ester and the other nurses for having a strong heart and will to help young people with these conditions. Child rehabilitation centers are truly amazing facilities. Dealing with children who have suffered severe, life altering, mental damage must be heart breaking and challenging.I admire the staff and especially Ishmael Beah for their persistence to not give up and their amazing courage. Finally, through Beah’s memoir, I learned that hope and courage can always shine through even the most challenging situations. Beah, who did not want to fight, held his courage throughout the war and never gave up hope, even when it seemed impossible to find anything positive. Ishmael continued on throughout his daily and impeccably challenging life. Yet, hope was there. It shines though all evil and hardships. I truly admire his courage. A Long Way Gone was an enormously inspirational novel.All of Beah’s violent experiences taught his readers about the effects of harsh war, injustice, the world outside of our own happy towns and most importantly the true power of hope and courage. He spoke eloquently and told the truth without sheltering his readers. I think my own personal gain from this book is quite amazing. Wars in small countries like Sierra Leone are not often talked about in the United States. So learning about them is an eye opening and valuable experience. Beah’s book teaches many prized lessons and shares exceptional insight into the world around us.

Macbeth, Macduff and the Witches Essay

Macduff has just told me that he was not born naturally; he actually turned to me and said â€Å"Macduff† was from his mothers womb untimely ripped†. For me, that is the end, I think about the witch’s predictions. Then, I think back to when it all started. We were on our way home, Banquo and I when we meet the witches who told us that I would be Thane of Glamis, well I knew that already. Then they told me that I would be Thane of Cawdor, This surprised me as the Thane of Cawdor was very well and living. Then the final witch said to me â€Å"All hail Macbeth that shalt be king hereafter†. When I heard this I wanted to here more but they wouldn’t speak to me. Then my friend Banquo asked them about him, what will happen to him? They said to Banquo that he will be â€Å"lesser than Macbeth but greater†. Which at first didn’t make sense but then it came to me that he would not be king but his children would succeed to the throne. I turned to question them and suddenly they disappeared. I saw Ross riding towards us he told us that the king has heard of our success against the Norwegians. Then he said that the Thane of Cawdor has been relieved from his command and the king has given me the job of being Thane of Cawdor. I couldn’t believe it the witches were right, their predictions came true and if that prediction came true than so should the rest. I wrote a letter to my wife telling her about the witches and their predictions I also told her that I had become the Thane of Cawdor. When I got home my wife told me that the king will be coming to stay at our castle for the night. I was really surprised about this visit and then my wife explained the plans she made. It was all too difficult as Duncan had been really good to me; he made me Thane of Cawdor which was very generous. But now I have to kill him, I was afraid but my wife convinced me that when it is done everything would be fine. Her plan was to drug the king’s personal bodyguards, wait till they fall asleep, then steal their daggers and use them to murder Duncan. After I kill Duncan I was to leave the bloody daggers in the hands of the bodyguards. I really didn’t want to do this but I couldn’t let my wife down. So went up to Duncan’s room and I saw a dagger before my eyes, I tried to grab it but my hand just went through it. It started floating towards Duncan’s room and then it just disappeared. I picked up the sleeping guard’s daggers and walked into Duncan’s chambers. When it was done I came out of Duncan’s chambers and went to my wife who was ringing the bell gently. She saw me with the daggers dripping in blood and she said to me why did I bring the daggers with you, you was supposed to leave them with the guards I told her I was afraid and I just ran out of the room and forgot everything. She took the daggers away from me and put them in the hands of the guards. Then I heard a very loud knocking, I looked at my hands and they were stained red so I quickly ran to the well and washed them, my wife cane back and her hands were also red so she washed them as well. The knocking continued so we got changed and laid in bed. The porter opened the door. It was Macduff and Lennox, who came in ringing the bell so that everyone would wake up. I went to them and showed them to Duncan’s room. Everyone was shocked at what they saw, and I had to play along too. Malcolm and Dolabain – Duncan’s two sons fled. One went to England and the other to Ireland. This was good because it makes everyone suspicious of them. Now they were gone, I was crowned king, but I still had one more problem. Banquo was with me when the witches told us of their predictions. He was also there when Ross told me the king has given me the job of being Thame of Cawdor, so then Banquo would be suspicious of me because one of the witches’ predictions was that I would be king, and now that the king is dead, he will accuse me of killing him. I had killed once, and it seemed easy to kill again. I arranged for Banquo, my friend, to be killed. I hired these hit men. I was not sure how it would all turn out. I told the hit men to make sure they kill Fleance, his son as well because I didn’t want any of his children to reign as well. I prepared a banquet for all my friends. Lords and nobleman – we all sat around the table and began to eat: â€Å"You know your own degrees, sit down.† At first it was going all quite well, me and my wife was enjoying ourselves which was a relief from thinking about Duncan and what happened in the past. Then just as it was getting better, I spotted one of the hit men that I had hired earlier. I went to him and made sure no one could see or hear us. I asked him â€Å"is he dispatched?† He replied with good news â€Å"my lord, his throat is cut; that I did for him†. I asked him what he had done with Fleance. He hung his head and said that he had escaped. I was furious – I knew the nightmares would come back to me. I returned to my seat. Then Ross asked me to sit at his table, but I told him it was full. He said there was a free seat next to him. I looked at the seat next to him and saw the ghost of Banquo looking at me. I began to panic, but my wife Lady Macbeth said to everyone that I was getting into a fit and that they should leave now. When they had gone, she calmed me down saying it’s just â€Å"the very painting of my fear†. After that day I felt strange, different, uneasy, so I went back to the witches because I was so worried. When I got there they were all around a black cauldron, they said to me that they will summon their master the â€Å"Apparitions†. I looked into the cauldron I saw the first apparition an armed head. It said â€Å"beware Macduff, beware the Thane of fife.† I thought hmm well Macduff won’t be a problem I can just have him killed like Banquo. The second apparition appeared which was a bloody child it said â€Å"Be bloody, bold and resolute, laugh to scorn the power of man, for none of woman shall harm Macbeth.† Ha! I was impressed with this, everyman and woman is born from a woman so no one can harm me. The next apparition appeared it was a child crowned, with a tree in his hand. â€Å"Be loin-mettled, proud and take no care that chafes, who frets, or where conspirers are, Macbeth shall never vanquish be, until Great Birnam wood to high Dunsinane hill shall come against him. Well to me this was just wrong how can a wood move all the way up Dunsinane hill? I went home feeling very confident and the very next day I found out that Macduff had gone to England to get an army together lead by Malcom. I told my mercenaries to go to his castle and kill everyone and everything in there. Mean while when all this was going on my wife had been sleepwalking and the lady-in had called in a doctor to observe her actions. He watched her while she was sleepwalking. My wife was carrying out the actions we did when we murdered Duncan! So now the doctor and the lady-in knew about us. I noticed all my friends had left me and gone to England with Malcom, even Ross had left me and I knew he was going to tell Macduff that I had killed his family. I didn’t care actually no born of a man could harm me. I bet Macduff was furious but I had nothing to fear. So as I was getting ready to fight Macduff and Malcom I still felt safe about it all because of what the apparitions told me. I knew my wife had died somehow â€Å"she should have died hereafter† I felt cold about everything except defeating Macduff. A messenger came later saying that Birnam wood was moving â€Å"Liar and Slave† I said to him but he begged me to take a look, so I did and realized what the apparitions were talking about. Malcom’s army was using the branches and wood as camouflage. When everyone found out that Macduff was coming they all ran away those cowards. A few English soldiers came to me and tried to attack me but they were no problem, I walked outside the castle full of confidence and pride. I faced Macduff and said to him â€Å"I bear a charmed life, which must not yield to any of woman born†. Then that’s when he told me that he was born â€Å"untimely ripped†. Looking back now I see where it had gone all wrong, but when I think about the future, me kneeling before Malcom’s feet I couldn’t let it happen. I raised my sword and attempted to kill Malcom but Macduff got in the way trying to defend him, I fought as hard as I could but he was just too fast. I felt something cold and sharp go through my chest, my sword fell from my hand and then I saw a blur in front of me soon I could see nothing everything had just gone black.

Capital Market Efficiency Assignment Example | Topics and Well Written Essays - 500 words

Capital Market Efficiency - Assignment Example Public companies are able to support various projects through corporate social responsibility. These projects have a significant role in improving the living standards of the people in the society. On the other hand, increased certainty on the future prospects strengthens the competitive position of the company in the market (Moyer, McGuigan, & Rao, 2015). This makes it possible for the firm to diversify its operations and even invest overseas in order to reduce the risks and uncertainties associated with focusing on a single market. Question 3An efficient portfolio is one that brings in the highest returns with the lowest risks for any given return (Moyer, McGuigan, & Rao, 2015). An efficient capital market enables the present value of the future cash flows to be indicated in the current prices of the securities. As a result, the information would be significant in enabling the investor to select the best portfolio to invest in which have the lowest risks. This would enable the inve stor to make immense returns. In many cases, management team consult the shareholders on capital budgeting and capital structure decisions because of the risks associated with these decisions. However, managers can make these decisions in case they are certain about the outcome. This is through consulting professionals and insuring the decisions in order to be compensated in case they incur losses. Efficient capital market provides both the firm and the investor with real time information (Moyer, McGuigan, & Rao, 2015).

Choose one of them i will upload after paid Essay

Choose one of them i will upload after paid - Essay Example This form of writing provides a deep analysis of Purchasing Power Parity and highlights some of the PPP’s significance in the economy. PPP theory is used in various situations including adjustments for the price differences between countries and provides the solution of comparing countries with dissimilar wellbeing standards as well as setting exchange rate for new countries. By comparing the value of output from different countries and considering exchange rate for ease of data comparison, a lot of information between countries can be obtained (Yavuz 2013, p. 118-121). PPP may make it easy to determine numerous things such as the speed at which the global economy grows and further determine a country, whose average persons are better off. Purchasing Power Parity exchange rate is one of the numerous techniques that can be used to convert different country’s statistics into a common currency (Carvalho & Nechio 2011, pp. 2412-2423). It is worth noting that the PPP exchang e rate must not be similar with the one that prevails in the financial markets as it may either be more or less. Nevertheless, comparison of prices between different countries considers several products and services, which is a very complex task due to the massive amount of data, and the sophistications encountered in the process. In facilitating the price comparison process, always an International Comparisons Program (ICP) generates PPPs founded on global survey of prices where every participating country provides national average prices for several products. PPP is deemed a better measure of the overall wellbeing and its exchange rates are always fairly stable over time. Unfortunately, PPP is not easy to determine compared to other approaches such as the market based rates since ICP is a huge statistical undertaking and there are challenges of methodological involved such as estimation of the PPP rates that may lead to inaccuracies. Additionally, another challenge of using the PP P approach is that there are products that are never available in some countries thus limiting their utilization in comparison purposes. According to Adhikari, Guru-Gharana & Flanagan (2011, p. 4-8) because these countries share almost same economic trend of consumption normally experience better PPP exchange rates compared to countries that do not have similar economic characteristics. On the other hands, most of the developing countries particularly in Africa and Asia may make it difficult to obtain an adjusted exchange rate for PPP because they do not have well-kept economic records deemed important in determining the PPP exchange rates (Taylor 2009, 19-24). Although it may be presumed that, the nominal exchange rate and PPP may be comparatively similar there is always, an evident of a marked difference in the PPP’s accustomed exchange rates. It is significant to note that the PPP figures are normally grounded on the law of one price that indicates that products and servic es cost similar amounts everywhere such as the price of Big Mac in UK and France are similar. This assumption is vital in comparing the two products directly in

Behaviors in Nursing Management Professional Term Paper

Behaviors in Nursing Management Professional - Term Paper Example The specific type of leadership needed in nursing management practice will be analyzed and its advantages presented. The form of leadership recommended in nursing is democratic leadership. After this, the importance of emotional and cultural intelligence will be discussed. Emotional intelligent managers are leaders with ability to identify and understand personal change emotions and develop strategies to manage them. Cultural intelligence is critical in nursing management practice as one strives to create an influence in an environment with different cultures values refer. After a discussion on the leadership styles, the specific qualities needed will be presented. Some qualities identified include integrity, courage, attitude and ability to take initiative. The other qualities identified are optimism, ability to strike balance in all areas of life and ability to manage stress. The next part will be a discussion on values, qualities and behaviors in relation to management process, co mmunication, team building, orientation of new staff and caring and ethics and empowerment of staff from a personal perspective. In the management process, values refer to the principles that the manager upholds and advocates. Qualities and behaviors refer to personal attributes that make a person an authentic leader in the organization. These values, behaviors and qualities in management process include being of integrity, promoting open communication, teamwork and managing organizational change.

Environmental Science Lab IP 5 Essay Example | Topics and Well Written Essays - 250 words

Environmental Science Lab IP 5 - Essay Example This is deposited at the bottom of the lake bed and then undergoes decomposition, yielding nutrients such as phosphorus and nitrogen that then accelerate the growth of algae species (Vanderploeg, et al., 2001). Using MUSE, the numbers of phytoplankton, zooplankton, Cladophara, Foraging fish and Lake Trout were recorded at intervals of 0, 4, 7, 10, 13, 16 and 20 years after the introduction of the Zebra and Quagga mussels to the ecosystem. The recorded results showed that the population of the Zebra and Quagga mussels, as well as the Cladophora biomass increased rapidly from 0-13 years. It then decreased in the subsequent years (16-20). Conversely, the populations of phytoplankton, zooplankton, Foraging fish and the Lake Trout decreased from 0-13 years, and then increased afterwards. The results showed that between 0-13 years of introduction, the population of the Zebra and Quagga mussels increased and that of the phytoplankton reduced since the mussels feed on the phytoplankton. The reduction of the phytoplankton population led to a reduction in the populations of the species that come next on the food chain (zooplankton, Foraging fish and Lake Trout). The biomass of Cladophora algae rose like that of the mussels rose because of the increase in nutrients such as nitrogen and phosphorus due to decomposition of pseudofecal matter. The population of the mussels rose up to the point where the available phytoplankton could not sustain their survival, resulting in a large number dying off. This led to a subsequent drop in the biomass of Cladophora algae because of the reduction in the amount of nutrients available. As the population of the mussels dropped, there was a slight increase in the population of the phytoplankton. This lead to a subsequent rise in the population of the species dependent on it both directly and indirectly. Benson, A. J., Raikow, D., Larson, J., & Fusaro, A. (2012, 06 06). Dreissena polymorpha (Pallas, 1771).

Planning and Instruction Essay Example | Topics and Well Written Essays - 3000 words

Planning and Instruction - Essay Example We then move to establish the instructional materials needed and finally the elements of lesson plans and the adaptations that a mentor has to make in consideration of some diversities, differences, quirks and other ‘otherness’ in some students.Prior to the conclusion, we defend the thesis â€Å"effective planning is a crucial component of effective teaching. For any endeavour, whether it be singing, acting, surgical operation, building construction, manufacturing, child rearing, delivery of religious sermon or any speech for that matter, the degree of effectivity in what you propose to do hinges on the amount and intensity of preparations and planning. In the field of education, the teacher’s proficiency to impart knowledge to his or her pupils also depends on how she or he is prepared to open the minds of her students and pour in precious knowledge to their intellects. The degree of planning and preparations vary depending on the intellectual capacities, the cultural background, the attitudes and beliefs, the aptitudes, the interests, the maturity, the ethnic background, language proficiency, health, presence of disabilities whether physical or mental, socio-economic background, determination, ambitions or the lack of it and the individual needs of the students. A lesson plan is a teacher’s road map to achieving his or her objectives. Prior to immersing herself or himself to his vocation to teach, the teacher must have definite objectives. Without such, the teacher is directionless, without pep and energy and motivation to teach and figuratively ‘blind’ at the outset. As they say, a blind man cannot lead other blind men. The worst objective that an educator may have is to earn and amass money from such vocation. Here in this case, teaching is no longer a vocation because vocation presumes the existence of the elements of suffering, labor and compassion (Spitzmueller &

LastnamefirstnameHIST101ShortPaper Research Paper

LastnamefirstnameHIST101ShortPaper - Research Paper Example They were rebellious protestors, but hesitant insurrectionists; in the commencement, the Americans attempted reconciliation with their supreme ruler along with acknowledgment of their rights. Much more than a mutiny against British taxes and enterprise regulations, the American Revolution was the first new revolution. It recorded the first occasion in history that people fought for their liberation in the name of certain general laws such as the rule of law, lawful rights, and democratic sovereignty (Bailyn 37). The origins of Revolution in American can be drawn from the year 1763 when the leaders in British started to tighten imperial reigns. The harmonious relationships that existed between Britain and its colonies became more and more conflict-riven. Britain’s land management prohibiting reimbursement in the West provoked colonists as did the advent of British troops (Bailyn 45). The most severe dilemma was the call for money to sustain the empire. Efforts through the Sugar Act, the Stamp Act, and the Townshend Acts to gather money rather than control trade met with increasing opposition in the territories. Anxieties rose further after Parliament enacted the Coercive Acts and the First Continental Congress adopted the initial steps toward sovereignty from Britain. Before the nations attained freedom, they had to struggle a great and painful battle. The British had numerous successes in the battle, comprising a great, well-trained troops and naval forces and several Loyalists who aided the British Empire. Still several white pioneers were separated by Lord Dunmore’s assurance of independence to captives who joined the noble army, and were incited by Thomas Paine’s Common Sense. Outstanding initiative by George Washington; the support of such European nationalities as France; and tactical failures by British officers contributed to

The Snows of Kilimanjaro by Ernest Hemingway Research Paper

The Snows of Kilimanjaro by Ernest Hemingway - Research Paper Example 191). In other words, Hemmingway’s The Snows of Kilimanjaro tells a story about writing and somehow links this story to human themes. To demonstrate the point, Becnel and Bloom (2009) draw attention to the following passage narrated by Harry and taken from The Snows of Kilimanjaro: We must all be cut out for what we do, he thought. However, you make your living is where your talent lies. He had sold vitality, in one form or another, all his life and when you affections are not too involved you give much better value for the money. He had found that out but he would never write that, now, either. No, he would not write that, although it was well worth writing (Hemmingway 2003, p. 12). Becnel and Bloom (2009) noted that from Harry’s perspective, he acknowledges that during his life as a soldier, writer and husband married into wealth he has been â€Å"selling vitality† his entire life (p. 191). Therefore Harry is able to connect the demands and passions in life via three seemingly unrelated factors: marriage, the military and writing. The connection begs inquiry in to how each of these factors relate to selling vitality. It is therefore first necessary to understand what Harry means by selling his vitality. Looking further into The Snows of Kilimanjaro some guidance can be found in the following excerpt: He had destroyed his talent himself – by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, by snobbery, by hook and by crook; selling vitality, trading it for security, for comfort (Hemmingway 2003, p. 11). This excerpt informs that selling vitality means sacrificing one’s own talents and ambitions in favour of security and at times in favour of other human frailties: laziness, greed and other exigencies of human weaknesses. In many ways these human exigencies are seductions and inevitably forced Harry to trade the vital elements of his life for greater comforts (Bush 1995, p. 26). Arguably, Harry was unable to succeed at or find complete satisfaction via marriage, soldiering and writing because he had sought comfort and security rather than the art of mastering each of these factors. The selling of vitality from Harry’s perspective thus informs that Harry sold or surrendered something of significance in his marriage, soldiering and writing. He therefore loses something of importance in each of these life roles. That something must be passion as, he suggests that a man must make his living where his talent lies and for Harry, his talent lies in trading vitality or sacrificing his real ambitions in favor of shortcuts to comfort and security. The suggestion is therefore that Harry’s life is disingenuous or at the very least the reader can form the opinion that Harry is only superficially happy as he has sacrificed what he really wants out of life for comfort and security. He has also allowed his pursuits to be compromised by the seductions that lead to or command shortcuts. His marriage into wealth may perhaps demonstrate the point best as he has obviously succumbed to a shortcut to material possessions or the seductions inherent in sloth. Soldiering would obviously provide Harry with material for his

The United States of America Essay Example for Free

The United States of America Essay The year is 2039 in the United States of America. There is a new mandatory government law and procedure that requires all American citizens to adhere to. The procedure is called the Ein which is a German word that means â€Å"one†. The procedure changes all normal human beings as we know them into super intelligent people and reconstructs them into beautiful beings. The process starts on an automatic escalator on which the human being rides, and travels from one machine to the next. The first machine controls the brain by using an automatic electronic head piece that descends from above onto the human head. The electronic headpiece shocks the brain and reprograms everything that is sympathetic such as emotions, empathy and creativity. After that part of the brain is completely numbed, the computer programming begins to transform the mind, turning everyone who enters into alienated, egocentric human beings. After the process is done, the human is totally dumbfounded and automatically moves to the next machine which is called the Van-Trans. To keep the human from feeling any pain, he or she is first injected with a super pain reliever and then the human’s skeleton reshapes into a human box. After the person is shaped like a box, the Van-Trans start the reshaping procedure. After molding and trimming, the person is created into a supermodel form. This is a governmental standard requirement for all people to follow who resides within the United States. All of the humans who are recreated are referred to as Supers by the government. Finally, when the procedure is finished, the Super is now allowed to exit the Machine. On one occasion after having the procedure done, there was a young woman who witnesses a little girl who was hurt in a car accident and she needed the young woman’s help. The little girl was unconscious and no one would help her because of how the required procedure affects everyone who has the procedure done. All of their emotions and compassion is removed during the procedure. Therefore, the woman just stepped right over the child having no feeling at all for the little girl. The world has been turned into a heartless society. The government has created a society that is numb to having feelings and worships their intellect and outer man. â€Å"Power has become so subtle and complex a thing [†¦] that only a subtle mind can watch it work; here it is still limited, still visible† (LeGuin 5). The people’s only power is their knowledge but they use their knowledge to get over on others who are not Supers like them. â€Å"Nothing succeeds like success† (LeGuin 5). Works Cited LeGuin, Ursula K. The Left Hand Of Darkness. New York: Walker And Company, 1969.

Explain the Role of Computer Systems in Different Environments

Explain the Role of Computer Systems in Different Environments In todays era, computer has become one of the basic needs for human beings. Computer which we used like every day was invented for solely one purpose i.e. for calculating numerical problems and mathematical calculations. The term computer is derived from Latin world called computare which means to calculate. With the advancement of technologies, computer has become one of the powerful machines ever created. There are different environments or surroundings where computers are used. For example, people can communicate from one place to another place or from one country to another. Similarly, people can withdraw their money from the bank even living in another country. Some of the areas or surroundings in which computers are used are as follows: Science and technologies: Computer has become one of major role in the in the science and technological area. Scientists can perform haphazard experiments like nuclear testing, radioactive experiments, space programmes etc. Similarly, they can keep their records of their experiments, journals etc that can be retrieve whenever they wanted. Also they can get information on various subjects like weather forecasting, earthquake, volcanic eruption etc. Medicine : A computer system has played a major role in field of medicine. Now doctors can perform critical operations like heart surgery and others due to advancement of medical instruments. Similarly, in pharmaceuticals, people working in these areas can keep the records in computer like manufacture date, date of supplies, and expiry date of medicines. Government: Offices Banks Home Task 2: explain the, hardware, software and peripheral components of a computer system. As stated earlier, a computer is an electronic device. That means a computer consists of a wires, components that helps to run a computer. Basically, there are two parts or components that help to run a computer. They are: Hardware. Software. Parts of computer Hardware Hardware Software Hardware: A physical component that helps to run a computer is called hardware. Simply saying, any parts of a computer which we can see, feel and touch is called hardware. The examples of hardware are as follows: Keyboard: It is also one of the input devices. It is used for entering textual data that consist of alphabets, numbers, special characters etc. The following are the different types of keyboard: 105 keys: desktop keyboard 85 keys: laptop keyboard Virtual keyboard Wi-Fi keyboard Mouse: It is a pointing device used to position cursor on screen. It has 3 buttons. They are: Left button Right button Scroll button There are mainly two types of mouse. They are as follows: Scroll mouse: It has ball at its base that is use to roll over mouse pad. Optical mouse: It has LED base which emits light. This light is used to position cursor deflection. It does not require mouse pad. Motherboard: It is the main component of CPU cabinet that houses the entire electronic component inside a computer. hard disc: A hard disc is a physical component that is used for storing data. A hard drive can store millions of data permanently i.e. the data will be stored even if the power is off. RAM : RAM is known as Random Access Memory. It is also called volatile memory because it saves the data temporarily when the computer is on. When the computer is turned off, all the data that is stored or saved by RAM will be deleted. Software: Software is a set of instructions that helps to run the computer. Or a set of programs used as info systems is called software. Basically there are two types of computer. They are: System software: System software deals with the internal functions of a computer. It loads when a computer starts and is used for interaction with the hardware. Example: operating system, device drivers etc. Operating system: Operating system consists of programs that manage all operations of computer. The main tasks performed by operating systems are as follows: Booting: Booting is the process of starting the computer and loading operating system with system files. The system files are follows: Command. Com Config.sys Autoexec.bat After checking the configurations of the systems and found ok operating system loads/ prepares desktop/laptop for user. Security: A computer requires security data stored in inside it. To provide assets to appropriate user authentication process (username, password) is followed. If incorrect password is found, user is denied assets. Files are protected by taking password for each file. Networking: The computer files, programs, I/O devices etc. Can be shared by networking. Networking allows two or more than two computers to be connected to each other. Networking also allows sharing of interest connection for browsing web-pages. Task: Operating system executes different tasks. Each task means process. So, multiple processes are executed and each process request resources. Application software: The software used for fulfilling the requirement of the user is called application software. It is used by computer user after computer finishes starting (booting). Example: MS-Office, tally, games etc. Application software are created to fulfil the requirement of a computer user needs. Peripheral components: The parts of the computer that helps in running a computer is called peripheral component. These types of component generally found inside or outside of casing cabinet of a computer. We can also say that the components or devices that provide input to the computer or receive output are called peripheral components. Some of the examples are as follows: Printer Mouse Touch screen Microphone Video camera Task 3: compare different types of computer systems. Consider the todays mini world uses different types of computer for different purposes, your first task is to identify and list different types of computer system based on working principles, size and brand. Then explain their available features, application areas and finally suggest which types of computer system would be suitable for above environments. As stated earlier, a computer is a powerful machine ever created by humans. A computer can complete its task within fraction of seconds. The higher the power, the time taken is less. A computer is generally divided into four types on its basis: On the basis of operations or work. On the basis of size. On the basis brand. On the basis of function. On the basis of operations or work: On the basis on performing an operation or doing a work, computer has been categorised into three types. They are as follows: Analog computers: These types of computers works in continuing ranges of values. The results given by these computers are approximate since they work continously in their related fields. It generally deals with the physical quantities like speed, pressure etc. The examples of analog computer are speedometer, sthethescope,barometer etc. Digital computers: These type computers are usec in binary digits i.e. 0 and 1. It is genrally used as on and off operators. The results given by the digital computers are correct and are more reliable than analog computers. They are used in performing complex mathematical probles and engineering. Hybrid computers: Hybrid computers are combined form of both analog and digital computers, hybrid computers

Black Music and the Civil Rights Movement Essay -- Black Civil Rights

On July 5, 1954, forty-nine days after the Supreme Court handed down the decision on the Brown vs. Board of Education case, a nineteen year old truck driver recorded an Arthur Crudup blues track called â€Å"That’s All Right Mama† (Bertrand 46). Memphis disc jockey Dewey Phillips found the cut and played it on his radio show a few weeks later. He received calls all over from people, mostly white, who wanted to hear more. He quickly located the musician and brought him into the studio for an interview, audiences were shocked to learn that Elvis was white (Bertrand 46). Elvis’s music brought black music into white mainstream pop culture almost overnight. The breakthrough of Elvis happening almost simultaneously with the dawn of the Civil Rights Movement was no accident. As any scholar of the humanities would tell you that often times after a great war there exists a time of enlightenment, prosperity and reformation. One such cultural revival took place in this nation after the closing of the Second World War. The progressive thought of the ‘50s nurtured new ideas and cultures including the Civil Rights Movement and the fast spread of rock and roll. In an essay entitled â€Å"Color† written to Esquire magazine in 1962 the essayist James Baldwin describes the revival of white culture after WWII with the following passage: The Puritan dicta still inhabit and inhibit the American body and soul. Joy and sin have been synonyms here for many generations that the former can now be defended only on therapeutic, i.e. pragmatic grounds, necessitating a similar metamorphosis for the latter. Now it is suggested that we Live-a little! (Baldwin, Color 673) The â€Å"Puritan dicta† outlined by Baldwin represents the American ideology ... .... http://links.jstor.org/sici?sici=0261-1430%28199004%299%3A2%3C151%3ANJTSOS%3E2.0.CO%3B2-T Lewis, John with D’Orso, Micheal. Walking With the Wind. New York: Simon and Schuster, 1998. McKeen, William. William McKeen.com. 2004. 9 April 2004 McMicheal, Robert K. â€Å"†We Insist Freedom Now!†: Black Moral Authority and the Changing Shape of Whiteness.† American Music 16.4 (winter, 1998): 375-416. Shank, Barry. â€Å"†That Wild Mercury Sound:† Bob Dylan and the Illusion of American Culture.† Boundary 2 29.1 (2002): 97-123. Yamaski, Mitch. â€Å"Using Rock ‘N’ Roll to Teach the History of Post World War II America.† The History Teacher 29.2 (Feb., 1996): 179-193.

Marranos: A Lost People :: essays research papers

Marranos: A Lost People Some people might call them New Jews, some New Christians, and others call them Marranos. The majority of the world population has no idea who the Marranos are. To begin to explain these secret people, one must first receive a lesson in World History. We will begin in the 1492. In school, we are brainwashed to connect the year 1492 with the year that Columbus discovered the New World. Yet, if we look at the year 1492, there are other occurrences which are noteworthy. For instance, in the year 1492, Spain, the country which sent Columbus to America, decided to officially expel the Jews from Spain. The Jews were forced to either leave Spain, convert to Catholicism, or be put to death. This was not a surprise to the Jews of Spain. Since 1931, there had been anti-Jewish riots throughout Spain. For years, the Jews had been converting to Christianity to escape religious persecution. These Jews were called conversos. The twist to this tale is that these conversos actually were only putting on a front. They still considered themselves Jews. They practiced in secret.1 The Spanish made every attempt to search out and punish these conversos. Some Jews chose not to convert and they moved to Portugal. . Unfortunately, Portugal, in 1497, expelled the Jews from its borders as well. Anti-semitism was growing in Western Europe and the Jews needed to escape. The prime choice seemed to be so obvious. The Jews went to the New World. The immigration of the Marranos to the new world might have begun with none other than Christopher Columbus. This, of course, is not definite, but there has been research which has shown that Columbus was indeed a Marrano. Apparently his parents were Marranos.2 Even though there are some disagreements about this fact, there is strong evidence to support the claim that Columbus was Jewish. As the Marranos arrived in the New World, they were not able to reveal their secret identities and practice as Jews. This was because the Spanish government established inquisition offices in the New World. These office's sole responsibility was to hunt down Marranos and bring them to justice. The inquisitors had to visit every town once a year and gather evidence of "non- believers" of the church. They would reward anyone who came forth with information. The information could be days old or forty years old, it made no difference to the Inquisitors. The punishments for being caught were varied, never merciful. The mildest form of punishment was Scourging. This was when the victim was forced to strip to the waist in public and receive hundreds of lashes.

Love Presented in Poems by Wilfred Owen Essay -- Wilfred Owen Poems Po

Love Presented in Poems by Wilfred Owen Explore how the theme of love is presented in Birdsong and a selection of poems by Wilfred Owen. Loving attitudes, though perhaps not as prominent as themes such as violence and pride, are intimately observed and explored in Sebastian Faulks' Birdsong and in many of Wilfred Owen's War poems. Each aspect of love, as seen through the eyes of this First World War soldier and Faulks' characters, is as interesting as it is diverse, allowing an impervious insight into the psychological effects that the War had on these men. Such a formidable event as war has a devastating effect on all parties involved. In total, the First World War saw the deaths of 420,000 English, 450,000 German, and 205,000 French civilians. Through the bleak and most shattering of ordeals, love will show itself in the strangest fashions; surfacing in new and unforeseen places, and overriding all tribulations. I believe the two texts I have selected support this view, portraying clearly many different features of the love that war made apparent, love that was forced to survive horrendous difficulties, and the love which was occasionally lost. Propaganda for The Great War sold a message of equality, duty and devotion, striking a patriotic chord throughout England with slogans such as: "Everyone should do his bit", and "God bless dear daddy who is fighting the Hun and send him HELP". This image of fearlessness, commitment and love for your country was heavily supported and can be appreciated when reading the poetry of Jessie Pope. Her poems are often used to demonstrate the sentiments on the home front, and are commonly taught in opposition to the ideas of the major war poets, including Wilfred... ...nder feelings, such as the personification of "The kind old sun" in Futility and "the haunting flares" in Dulce Et Decorum Est; Faulkes using emotive language and character relationships to portray the sadness and the loss encountered during the war. Both are successful in their attempt to show love enduring everything, and of love being borne from human nature's lust for survival. Footnotes  ¹Owen's poem Dulce Et Decorum Est was originally dedicated to Jessie Pope, but under the advice of Sassoon, Owen settled for using "My friend" to represent her, believing that a name check was perhaps too strong. Bibliography Essays read: www.studyworld.com/ literature/dulce_et_decorum_est.htm www.whatalovelywar.co.uk/jessie.htm/ Books studied: Wilfred Owen: The War Poems. (Chatto & Windus LTD, 1994) Sebastien Faulkes: Birdsong (Vintage, 1994)

Demand and Law of Demand Essay

Demand is the willingness and ability of buyer to purchase different quantities of a good at different prices during a specific period of time. By definition, the law of demand refers to: As the price of a good rises, quantity demanded of that good falls; as the price of a good falls, quantity demanded of that good rises, ceteris paribus. The Law of Demand states that people will buy more of a product at a lower price than at a higher price, if nothing changes. Besides that, it also states that at a lower price, more people can afford to buy more goods and more of an item more frequently, than they can at a higher price. Other then that, it also states that at lower prices, people tend to buy some goods as a substitute for others more expensive. There are four ways to represent The Law of Demand; 1. In wordsï ¼Å¡As price rises, quantity demand falls, ceteris paribus. 2. In symbols: P(price)↑Q(quantity)↓ 3. In a demand schedule 4. In a demand curve Explain supply and the law of supply.  By definition, supply is the willingness and ability of sellers to produce and offer to sell different quantities of a good at different prices during specific period of time. Law of Supply refer to: As the price of a good rises, the quantities supplied of the good rises; and as the price of a goods falls, the quantities of the good falls The Law of Supply states that at higher prices, producers are willing to offer more products for sale than at lower prices. Besides that, it also states that the supply increases as prices increase and decreases as prices decrease. Other then that, it states that those already in businesses will try to increase productions as a way of increasing profits. How market equilibrium is achieved? Market equilibrium is a condition under which the quantity supplied is equal to the quantity demanded; when a market is in equilibrium, there is no tendency for change. The equilibrium price is the price at which the quantity demanded is equal to the quantity supplied. Shortages occur when  price is below the equilibrium price; shortages cause the price to rise. Surpluses occur when price is above the equilibrium price; surpluses cause the price to fall.

The Utilization of Moringa Oleifera (Malunggay)

Rising energy prices and environmental problems led to the increase in alcohol demands in many aspects, like in making fuels. Many people are doing researches about making their own product so as to lessen their everyday expenses. Right now, Filipino scientists are in think of the search for alternative fuels, with the experts from the University of the Philippines in both Diliman and Los Banos campuses searching all over the archipelago for energy sources from the forests to the bottom of the sea, from enzymes to fungi and other microorganisms. So, the researcher came up of using the malunggay leaves extract as source of ethanol since based on the study done by Senator Loren Legarda, the extracts obtained from the leaves of malunggay plant is 80% ethanol, which is used for fuels. This study knew the possibility of ethanol from malunggay leaves extract. First, the researcher gathered the needed the raw material, the malunggay leaves. It weighted . 75 kilogram. Then, through the process of grinding and filtration, 700mL of malunggay leaves extract was produced. The extract was fermented after with the aid of live yeast for a period of six weeks. The fermented extracts was then distilled using the simple distilling apparatus and the researcher obtained 60 mL ethanol. The ethanol was then brought to the Philippine Institute of Pure and Applied Chemistry (PIPAC) to know its ethanol content. Based on the testing done, only . 5% of the volume of the product is ethanol. After the testing, the intrinsic properties were computed. Using the formula for density, D=mass/volume, 47. 4 g/ml was obtained. For the specific gravity, the formula SG=density of the liquid/density of water, and . 79 was obtained.

Law, Ethics & Corp. Governance Essay

1. Describe what steps you would take to address the following scenario involving skills, competence, and abilities: The employee seems to be unable to learn the computer applications that are basic to her job responsibilities, but, consistently â€Å"tells† her boss that she is â€Å"a good worker and a genius† and that he does not â€Å"appreciate her†. Even after a few months of training and support, she is unable to use the computer tools to be productive and efficient in completing the required tasks. This can be a difficult situation for an employer to make because many employers try to see the positive and have faith in all their employees. If this situation took place within my company, I would continue to observe the employees attitude as well as dedication. Many times, employees are not capable of performing certain tasks, however, with a humble mindset, it is possible to work with them and guide them while working. This specific employee seems to have a self-assured mindset that she is not doing anything wrong. Instead of opening up and allowing her boss to assist her, she becomes arrogant. I would go a different route and have a professional come and train her from another company to see if that would help. If this specific assistance does not help, I will have to write the employee up to warn her that she must submit to the work load within a certain time frame. I do not believe this is being harsh to the employee. If she is hired to do a specific task and cannot get the task accomplished, then she is incapable of doing the work. I will be able to provide a written statement and have her terminated. Employers cannot waste time on employees who talk about their capabilities, yet not perform them. According to â€Å"Law and Ethics in the Business Environment† Chapter 2, she is able to voice her opinion publically in court, however, she must have written proof to back her up whys he should not be terminated. 2. Describe what steps you would take to address the following scenario involving management, behavior, and performance: The employee tends to burst into a rage when criticized and is frequently late to work as noticed by her boss and other staff members. When her boss attempts to address her behavioral issues and the company late policy, the employee’s response is that she â€Å"knows her rights and what to do† if she is wrongfully discharged. She also says she took a business law class in undergrad that taught her â€Å"everything she needs to know about exceptions to the employment-at-will doctrine and wrongful discharge in violation of public policy†. I would provide counsel and verbal warning to the employee. It is important to get all of the facts and bring that person into your office without making a big scene. Being honest and upfront about the tardiness and improper behavior will get much respect from the employee and show firm leadership. I will discuss what has been taken place and how important it is to have the whole department working on one accord. I will also discuss that their tardiness is not fair to the other employees. I would take the time to ask if there is anything wrong, or if there is something happening in the workplace or personal life that is causing what is perceived as â€Å"a person with a bad attitude who is unhappy at work. I believe listening and showing empathy will let the employee know you care about their well-being but yet, still mean business. There may be some personal issues that they just need to get off of their chest. If I get a sarcastic response from them, then I must be strong, but not attacking, and let them know that the behavior shown is not acceptable and needs to improve. I would be sure that I am focusing on the problem, not the person. In situations like these, staying calm and let them do the talking will show the humility in you as a leader. In situations like these, I would point out their strengths, and try to first focus on the good aspects of their performance rather than a perceived bad attitude. Documenting and date this conversation as a verbal warning to the employee, yet not making it a threat. This is not a written warning, but shows that you did talk to the person about difficult employee issues. The more the employer documents, the easier it will be to terminate if it gets to that point. The biggest mistake is to not document. Documentation and building a case is the proof that shows you talked to this employee many times but to no avail (Sheahan, 2012). 3. Describe what steps you would take to address the following scenario involving labor and laws: The employee takes a day off from work, without management consent, for her religious holiday observance that falls on a day that is during â€Å"tax season†. The day off occurred during an incredibly busy period for the company during which the employer had notified all employees they were not allowed to take off without prior management approval. Also, there is no labor union for accountants. However, she begins talking to her co-workers during lunch breaks and sometimes during regular work hours, encouraging them to organize and form a union to â€Å"protect ourselves†. This can be a difficult situation because it involves the employee’s religious rights. According to an Act in 1997, â€Å"GUIDELINES ON RELIGIOUS EXERCISE AND RELIGIOUS EXPRESSION IN THE FEDERAL WORKPLACE†, Agencies shall not discriminate against employees on the basis of religion, require religious participation or non-participation as a condition of employment, or permit religious harassment. And agencies shall accommodate employees’ exercise of their religion in the circumstances specified in these Guidelines. These requirements are but applications of the general principle that agencies shall treat all employees with the same respect and consideration, regardless of their religion. At the same time, employees are not to engage in religious acts with employees by forcing their beliefs and opinions on them. This can cause immediate termination. Regardless of religious observation day or not, an employee is not to take a work day off without employers permission. The employer has every right to terminate the employee. It is understandable to observe religious acts as an individual but there has to be communication between employee and employer. The employer has to make accommodations for that specific day. 4. Describe what steps you would take to address the following scenario involving policies and procedures: The employee’s supervisor consistently asks her out on dates; the employee initially refuses to go out on a date with her supervisor. The employee later discusses the issue with her girlfriend who encourages her to accept his offers. During her new employee orientation, the employee was informed of the company policy which prevented employees from dating their supervisor and was given an employee handbook with the written policy. The employee and her supervisor later begin having a consensual relationship. Based from the research according to Saalfeld Griggs PC Publications, a supervisor dating an employee is prohibited within many companies. Although romantic relationships in the workplace are common, employers have legitimate reasons for concern about employee dating. The biggest fear is a sexual harassment lawsuit arising from either a supervisor who has a habit of asking subordinates out on dates; an employee who files a lawsuit after a consensual relationship goes sour; or the perception of co-workers that a supervisor is playing favorites with his or her â€Å"significant other. A policy that prohibits a supervisor from dating a subordinate must also describe the penalty imposed if the policy is violated. Men often hold more senior positions in a company, therefore, a policy that always penalizes the subordinate (e.g. by requiring termination or transfer) may create sexual discrimination liability. When enforcing a â€Å"no dating† policy, the employer must be careful to penalize both sexes equally. An employer who selectively enforces the policy, or enforces it more harshly against one sex compared to the other, may be liable for sexual discrimination. In a consensual relationship between a supervisor and a subordinate, the subordinate often is the recipient of preferential treatment. Employees have asserted claims for sexual harassment based on the theory that they can’t receive the same benefits because they are not â€Å"sleeping with the boss.† The policy is in writing and both the employer and employee decided to go against this policy. If one or the other is not able to transfer to another department, they must suffer the consequences of being released from the company. Reference Page: 1. Halbert, T., & Ingulli, E. (2012). Law & ethics in the business environment (7th ed.). Mason, OH: South-Western Cengage Learning. 2. Sheahan, K. (2012). Bad Employee Behavior. Article retrieved from: http://www.ehow.com/facts_6739049_bad-employee-behavior.html 3. Sutton, R. (1999). Regulating Workplace Romance. Article retrieved from: http://www.sglaw.com/publications.php?id=36&pubtype=showarticle

Health care provider Essay

Greg Wilson, a 65-year-old man, is diagnosed with pneumonia. He has a history of congestive heart failure. His physician has ordered an antibiotic for the pneumonia and he takes digoxin every day. As the health care provider, which question would you ask first before administering his antibiotic? Why is the first dose of the antibiotic twice as much as the maintenance dose? Which variables may slow his metabolism and excretion? You should submit your initial response to each discussion question by Wednesday at 11:59 pm (MT) each week. You are also required to respond to a peer and/or their instructor on one other day of the week. LP2.1 Discussion: Medication Effects As a health care provider we must ask the right questions especially before administrating any medication. In the case study for Greg Wilson, the first and most important question his health care provider should ask is â€Å"have you ever had an allergic reaction to an antibiotic?† The reason for this question is imperative because it helps the provider to determine which antibiotic is best for him. If Greg Wilson has had a reaction before, the health care provider can avoid and more complications to Greg. Sometimes a provider will prescribe a prescription that will have instructions that instruct the patient to take two doses on the first dose, and after the first dose to take only one dose. This form of administrating medication is known as the loading dose. The loading dose is when a patient takes the initial dose that is often the maximum dose and then continues taking the medication using a smaller dosage. The reason for using this method is to quickly elevate the level o f the drug in the blood. The health care provider that is responsible for Greg Wilson’s prescription must also factor in other variables regarding the patient. The following variables must be known in order to administer the correct medication and dosage for it to be effective. * Age – as we get older our metabolism and excretions become slower, which can cause effects on how the medication is absorbed and excreted. * Weight – many drug doses depend on the weight of a patient. In most cases the heavier the patient the higher the dosage. * Gender – Men and women have different factors that cause them to respond differently to medication. Some factors are pregnancy, ratio of fat per body massdiffers in men and women, and hormone levels are also different in men and woman These factors are important because they all have some effect on how a patient’s body is going to react to the medication they were provided. The effectiveness and possible side effects of medication are all determined on many things, and it’s the health care provider’s responsibility to know a lot of important information about a pat ient in order to provide them the best care they can offer. Sources: Essentials of Pharmacology for Health Occupations, Sixth Edition

Master of MSC marketing Essay Example | Topics and Well Written Essays - 1250 words

Master of MSC marketing - Essay Example According to the research findings branding is considered as one of the hottest topics in the business field as its overall attraction and significance has become more important in the recent past. With the rise of the web and other I.T. technologies, the need to have effective branding strategy has became more significant. Further, the emergence of e-commerce has made it critical for the brand managers to develop effective and innovative branding strategies for their consumers. Over the period of time, organizations have used branding as one of the important strategic tools to improve and consolidate their relationships with the customers. However, more importantly, branding has provided the organizations a strong chance to further penetrate into their chosen target markets. The strategic use of branding therefore is considered as one of the key strategic variables for organizations to manage and control effectively. An effective branding strategy therefore allows organizations to b ecome competitive and generate and deliver the kind of competitive advantage which allow them to better utilize the power of their brands. It is also important to note that the emergence of the globalization and the spread of Western values across the globe have increased the exposure of international brands to really diversified range of markets. In such a situation, it has become more critical for the brand managers to actually to use their branding strategy to achieve the competitive advantage at global level.... Further, the emergence of e-commerce has made it critical for the brand managers to develop effective and innovative branding strategies for their consumers.( Gammoh, Koh, & Okoroafo, 2011). Over the period of time, organizations have used branding as one of the important strategic tools to improve and consolidate their relationships with the customers. However, more importantly, branding has provided the organizations a strong chance to further penetrate into their chosen target markets. The strategic use of branding therefore is considered as one of the key strategic variables for organizations to manage and control effectively. An effective branding strategy therefore allows organizations to become competitive and generate and deliver the kind of competitive advantage which allow them to better utilize the power of their brands. (Ille, & Chailan,2011). (Kippenberger,2000). It is also important to note that the emergence of the globalization and the spread of Western values acr oss the globe have increased the exposure of international brands to really diversified range of markets. In such a situation, it has become more critical for the brand managers to actually to use their branding strategy to achieve the competitive advantage at global level (Buggie, 2001), One of the important and emerging themes regarding the impact of IT in branding, generally, is the ease with which marketers can actually communicate with their customers. The advent of the different digital media and the spread of internet have allowed brand managers to improve the coordination between the customers and the organization itself and hence the brands are getting better exposure in their target markets. e.( Davey, 2010). Some studies suggested

Most important materials science in a Power Plant Research Paper

Most important materials science in a Power Plant - Research Paper Example The conclusion looks at the overall outlook of a hydroelectric power plant touching on its main aspects. Hydroelectric power involves extraction of energy from water that is utilized to turn turbines. These turbines run generators that then produce the electricity in question here. The fact behind this is that rain or water falling on the surface of the earth contains potential energy, which is relative to the direction where its drainage is; it can be a lake, sea, or ocean (Krishnaswamy and Bala 107). The water has to fall against a certain vertical distance to gain maximum amount of energy that will turn the turbines to enhance efficient production of electricity. The amount of power produced in hydroelectric power plants is a little less than that produced in nuclear and thermal power plants. During peak hours, the power produced in the hydroelectric power plants is used by the other power plants, thermal and nuclear, to deliver power to the required sites efficiently. The paper describes materials used in hydroelectric power plants. A hydroelectric power station has to consist of a dam that collects water to a certain height for it to attain the maximum required energy to run turbines. The dam is constructed by incorporating a thick wall across the pathway of a river; all season river. The wall varies in thickness; whereby the base is thicker than the top. The reason as to this is to contain the water since pressure at the bottom is greatest risking breakage of the wall if it is not strong enough. A dam straddles a river, hence blocking the water flow. It collects in the upper part of the dam to form an artificial lake or dam; known as a reservoir (Ahmed, Petersen, and Arvanitides 76). Damming a river changes the kinetic energy in water to potential energy: This could be explained well by using an example of a battery. A battery has stored energy that is not in

Report on the airline and aircraft and manufacturing industries Essay

Report on the airline and aircraft and manufacturing industries - Essay Example The barriers to entry are high and so very few prospective players are looking forward to enter. The industry is impacted by macro-environmental factors which help to shape demand for its commercial aircrafts. The factors that drive demand in this industry include economic growth as measured by gross domestic product (GDP) and growth in regional and international trade. These factors have historically impacted on growth in regional and international travel. With the abatement of the global recession in most regions, it is expected that the demand for commercial aircrafts will increase resulting in between 26,000 and 31,000 new commercial aircrafts of varying types being demanded. The demand for new aircraft will also be stimulated by the need to replace retiring aircrafts with new and more energy efficient aircrafts that burn less fuel and have more capacity to enable increases in revenue per passenger kilometre (RPK). Boeing and Airbus are the major players in the aircraft manufactu ring industry and both of them have produced market forecast for the 20 year period 2010 to 2029. They both have differences in their estimates of the number of aircrafts that will be required to fill demand for passenger seats during the period. They also have differing expectations on whether the point-to-point or hub and spoke is the best strategy to follow as both seek to ensure that whichever philosophy airlines choose, they are not disadvantaged. A SWOT analysis reveals that the companies have significant strengths and will be able to take hold of the opportunities and minimise weaknesses and threats in both the micro and macro-environments. A TOWS analysis model was used to determine what strengths could be used to take hold of opportunities and minimise threats and weaknesses and turn them into opportunities where possible. Table of Contents 1. Introduction 2. Part A 2.0 Definition of the industry and its structure 2.1 An analysis of the micro-environment 2.1.1 Threat of sub stitute products 2.1.2 Barriers to entry 2.1.3 Power of suppliers 2.1.4 Power of customers/buyers 2.1.5 Competitive rivalry 2.2 An analysis of the macro-environment 2.2.1 Political factors 2.2.2 Economic factors 2.2.3 Social factors 2.2.4 Technological factors 2.2.5 Legal factors 2.2.6 Ecological factors 3 Part B 3.0 Developing a strategy 3.1 Market Forecasts 3.1.1 Boeing’s Market Forecasts 3.1.2 Airbus’s Market Forecasts 3.1.3 Comparison of Forecasts 3.2 Situational Analysis of Boeing and Airbus 3.3 Situational Analysis using the SWOT model 3.3.1 Strengths 3.3.2 Weaknesses 3.3.3 Opportunities 3.3.4 Threats 3.4 Situational Analysis using the TOWS model 4.0 Conclusion 1.0 Introduction This report is divided into two parts. Part 1 identifies and analyses the structure of the commercial aircraft manufacturing industry with emphasis on its two major players Airbus of Europe and Boeing of the United States. It then analyses the competition in the industry and the demand con ditions facing industry players. An analysis of the macro-environment using the PESLE model and highlighting the main factors that will impact the industry has also been presented. Part 2 summarises market forecasts prepared by Airbus and Boeing and highlights the differences. In order to determine the ability of both companies to deal

How Greenwash commercials influence buying behaviour in luxury car Dissertation

How Greenwash commercials influence buying behaviour in luxury car market - Dissertation Example According to the research findings the impact of Greenwash commercials on buying behaviour seeks to understand the consumers’ psychological orientation towards purchase of products and how marketing strategies or advertisements can adapt to the same. Amongst the Response Hierarchy Models, Persuasive Hierarchy Model suggests that consumers are influenced by advertising and use the commercials to learn about different brands and reach their preferences based on the information they gain from these. Here cognition is the precondition for making any buying decision. This model is applicable in high involvement purchase condition where the product or the purchase is crucial to the consumer. Such advertisement begins with awareness which leads to interest of the buyer and then results in action of purchase. These are highly true for consumers of cars. In Low involvement cases, the consumer prefer convenience goods, i.e.take the buying decisions based upon cost, etc. Here purchases a re rapid and preferences towards brands are formed after trials. Integrated Models therefore suggest that buying decisions depend on situations and advertising works accordingly. The FCG grid formed by the advertising agency Foote, Cone and Belding can appropriately depict this with four different buying situations incorporating consumer motivation. For instance, in high involvement case, consumers’ motive will lead him to buy items like luxury watches when the idea is to transform their lifestyle or when the â€Å"feel good† factor is important to them. ... umers are influenced by advertising and use the commercials to learn about different brands and reach their preferences based on the information they gain from these (Belch and Belch, 2003, p. 208). Here cognition is the precondition for making any buying decision. This model is applicable in high involvement purchase condition where the product or the purchase is crucial to the consumer. Such advertisement begins with awareness which leads to interest of the buyer and then results in action of purchase. These are highly true for consumers of cars. In Low involvement cases, the consumer prefer convenience goods, i.e.take the buying decisions based upon cost, etc. Here purchases are rapid and preferences towards brands are formed after trials. Integrated Models therefore suggest that buying decisions depend on situations and advertising works accordingly. The FCG grid (Appendix B: Integrated Model – FCG grid) formed by the advertising agency Foote, Cone and Belding can appropri ately depict this with four different buying situations incorporating consumer motivation. For instance, in high involvement case, consumers’ motive will lead him to buy items like luxury watches when the idea is to transform their lifestyle or when the â€Å"feel good† factor is important to them. Again when product choice is based on information about the product, consumers will tend to choose automotives and appliances. In Low involvement case, they would go for package goods (cost effectiveness), while their choice is led by information. Under low involvement they would settle for variety goods in order to meet the â€Å"feel good† factor (Sorce&Dewitz, 2007, pp. 4-5). This dissertation focuses on a High Involvement case (a case of buying luxury brands of cars). For these goods there always

Business concepts 2 Coursework Example | Topics and Well Written Essays - 1750 words

Business concepts 2 - Coursework Example The first role is the provision of technological supervision in the corporation, which does not only entail the supervision of the other IT specialists but also the information systems and the communications networks. The CIO also oversees the development and execution of an excellent customer service platform relative to the organization’s practices. He/she also liaises with management teams and organizational leaders on any IT-related alterations, advances or probable approaches to enhance communication. Additionally, still under communication, the CIO maintains the corporate network infrastructure for utter connectivity and remote access. Other roles of the CIO entail participation in vendor contract negotiations, assessing and anticipating technology projects, and establishing and directing strategic and tactical objectives, initiatives and practices in the IT department. Finally, the top-level management also requires the CIO to flourish in the identification of user need s and resolution of problems. The core roles of the Information Department, relative to the name, entail dealing with most, if not all, of the organization’s information. The first significant role entails planning, where members in the department work with the Chief Information Officer in developing an IT approach supporting the corporate culture and objectives (Linton, 2015). The planning role of the department helps in building a resilient advantage over the rest of the competitors, which they achieve through customization of software and computer systems significant in meeting needs of other organization’s departments. Networking is also among the roles of the department as it is the backbone of efficient communication and collaboration between departments. The IT departments operations mostly relate to the organization networks and ways of making it more efficient. As modules of the network system, the IT department, through the different teams, engages in

Management and Leadership development Essay Example | Topics and Well Written Essays - 500 words

Management and Leadership development - Essay Example In almost all firms, the top management is the trend setter and it has to demonstrate a high level of commitment towards the development of a workforce which is flexible, competitive and proactive (Gloet, 2006; Plessis & Beaver, 2010). When a strategic approach of HRM is implemented, it will ensure that HR is the top most priority. HRM is effectively integrated with the company’s strategy, mission/vision and long-term goals (Blackman, O’Flynn & Mishra, 2010; Lengnick-Hall et al., 2009). Strategic HRM is fostering strategic management thinking on all levels. This allows the leaders to be involved in the strategic planning process (Lepak et al., 2006). It is a mechanism employed by leading organisations for developing a workforce plan and determining the priority objectives to be attained. It also focuses on the course of action that can be taken for successful accomplishment of the desired objectives (Jaakson, Tamm & Hammal, 2011; Tahilaramani, 2010; Way & Johnson, 2005). Hence, with proper implementation of Strategic HRM within an organisation, there would be an enhanced and supportive workplace learning environment that can be cultivated. This will ensure that the company has the capability of responding to HR related issues proactively and proficiently (Singh, Darwish & Anderson, 2012). Currently strategic HRM is a major contributing factor in the organisation’s corporate strategy. Therefore, it is imperative for the top management to ensure a proper link between the desired objectives and competency level of the employees (Caliskan, 2010; Way & Johnson, 2005). The main purpose of Strategic HRM is to help the company develop an effective employee or workforce plan. This will assist it in managing the employees effectively (Allen & Wright, 2006; Martin, Gollan & Grigg, 2011). It emphasises the need of coordinating activities at all levels i.e. corporate,

Rising Tuitions are Keeping Many Students Out of College Essay

Rising Tuitions are Keeping Many Students Out of College - Essay Example The researcher states that while the rising costs of college tuition are due to a number of different factors, the result is that fewer think they can afford it, especially since degrees from non-prestige universities or less technical degrees are simply not valued as in the past. Grant used to cover far more than now, so more financial aid becomes debt. Even well informed students, who know their actual cost after scholarships may balk at incurring such high debt. It is a fact that tuition has far exceeded inflation and wages have not kept up for middle and low income families In light of the tremendous burden the debt load would become, many students will elect to get jobs and train as they go up the corporate ladder. Rising tuitions are definitely keeping more students out of college than ever before. In looking at the documented raises in tuition over the past twenty years, wages have not kept pace. This means the burden on the family will be proportionately higher. In addition, financial aid grants cover less than before, leaving the balance to be covered by loans. Some institutions perceive the extension of financial aid as an inducement to raise their tuition. In addition, the tuition is no longer carved in stone, as most universities offer scholarships to accepted students, thereby reducing the cost. To conclude, it is evident that the better quality they perceive the student, the higher the scholarship will be. This allows colleges to filter out some applicants in preference for others.

Hatha Yoga Essay Example for Free

Hatha Yoga Essay A complete Hatha Yoga session should be aimed at holistic wellness of mind, body and soul. It should contain a well designed sequence of Asanas or yogic poses, Pranayam or breathing exercises, relaxation techniques, and Dhyana or Meditation. The Yoga session should begin with a prayer or chanting of â€Å"Om†, the primary sound of universe. This helps in relaxing and focusing the mind, and bringing calmness to the senses. This should be followed by warming up exercises known as â€Å"Yogic Suksma Vyayamas† to improve flexibility of joints and muscles, so that we do not suffer from pulled muscles while performing Asanas. This should be followed by a sequence of Asanas, first supine poses, then prone poses, followed by seated poses and finally standing poses. Asanas should be followed by relaxation poses such as â€Å"Shavasana† or Corpse pose. Pranayam or breathing exercises should be performed after Asanas. The session should end with Dhyana or Meditation to calm the mind. The first part of the session includes warming up with Suksma Vyayamas, the aim is to warm up the major joints of the body. First Vyayama involves movement of neck to right and left, followed by forward and backward bending, each for 10 times. Next one involves moving the arms in circular movements clockwise then anti-clockwise, 10 times each. This should be followed by raising each leg, one by one, forward and moving it in small circles, clockwise and anticlockwise, 5 times each. Asanas should be performed now in following sequence- first supine postures like â€Å"Chakrasana† or Wheel pose which is an inverted pose and then â€Å"Halasana† or Plough pose which is its counter pose, then prone postures like â€Å"Dhanurasana† or bow pose and â€Å"Bhujangasana† or Cobra pose involving backward bending, followed by sitting postures like â€Å"Balasana† or Child pose which is a counter pose of Bhujangasana, â€Å"Vakrasana† or twisted pose and â€Å"Poorna Paschimottasana† which is a forward bending pose, and finally standing postures like â€Å"Trikonasana† or triangle pose involving side stretch, and â€Å"Tadasana† or Palm pose which involves stretching of the whole body. Asanas should be followed by â€Å"Shavasana† or Corpse pose for relaxation. After relaxation Pranayam like â€Å"Bhramari Pranayam† should be done, followed by Meditation. Thus my session includes- Yogic Suksma Vyayamas for warming up, and following Asanas: Chakrasana or Wheel pose- Involves bending backward of torso like an arch. It strengthens the back and abdomen, affects all the organs of the body, and cleans the Chakras. Halasana or Plough pose- Involves raising the legs and then lowering them behind the head, toes touching the ground, forming a plough. It enhances the benefits of Chakrasana, being its counter pose. Also regulates the function of Thyroid and Thymus glands. Dhanurasana or Bow pose-Bending backward holding both ankles with hands, and stretching the body like a bow. Improves digestion, strengthens the back, shoulders, arms, and legs. â€Å"Bhujangasana† or Cobra pose- Involves lying in prone position and raising head and shoulders like a cobra. It strengthens back, shoulders, and neck and improves respiration. â€Å"Balasana† or Child pose- Involves sitting and bending forward, face touching the floor. It is the counter asana of Cobra pose, enhancing its benefits. â€Å"Vakrasana† or twisted pose- One leg is bent at knee, and the other is straight, the waist is twisted to the opposite side of the bent leg. It improves flexibility of spine, waist and legs. â€Å"Poorna Paschimottasana†- It involves sitting with stretched legs and bending forward to hold the toes with hands, face resting on thighs. Greatly improves spinal flexibility. â€Å"Trikonasana† or triangle pose- Involve sideward bending and stretching making a triangle. Improves waistline, strengthens the arms, and improves balance of the body. â€Å"Tadasana† or Palm pose- Arms raised upward, pulling the body upwards while standing on toes. It improves balance, reduces belly fat, and improves height and agility. Finally, doing â€Å"Shavasana† or Corpse pose, lying down with relaxed limbs and neck like a corpse for deep relaxation. I’ve chosen â€Å"Bhramari Pranayam†, sitting with legs folded, deep inhalation followed by exhaling with a humming sound, while keeping the mouth closed, ears closed with thumbs and fingers placed on closed eyes, for complete relaxation of mind; followed by deep breathing, with mind focused on breath in a state of Dhyana or Meditation. Yoga postures should be done slowly with smooth movements, jerky and harsh moves should be avoided. Each posture should be held for 15-20 seconds initially, gradually increasing the practice time to 5 minutes. â€Å"Yoga† means a communion of mind, body and divine. It improves flexibility and balance making us fitter, calmer and happy. It helps in maintaining hormonal balance. One should practice yoga for its multiple benefits.

Thomas Edisons reputation Essay Example for Free

Thomas Edisons reputation Essay Thomas Alva Edison is a scientist that was born on February 1 lth 1874 in Ohio. His family had to move to The United States of America after the involvement of his father in many political matters. Thomas Edison lost a part of his hearing when he had a fever at the age of 1 year old as many articles indicate. They say that it was a very bad fever at that time. Some articles indicate that he lost a part of his hearing when a man pulled him by the ear to get him to a moving train. Another story and a very popular one is that there was a small explosion which led him to lose his earing. Despite all of that he was a great scientist with great creations and inventions. He was very hard working and very ambitious as the history shows us. He was so creative and innovative that he invented a new telegraphic device by the age of approximately 21 years old and that is a very young age to create in. Also, he was working by the age of 12 years old during the civil war in The United States of America. He was distributing newspaper. He also built a small chemical laboratory at the corner of his house garage. He was so dedicated to build his own reputation that e established his own newspaper and made two stores by the age of approximately 16 years old. The strangest point about those stores would be the idea of employing young men similar to his age at that time. Moreover, he was a businessman. He started his own factory when he was about 23 years old after selling some of his creations to the company he worked for. A year after that, he got married to a 16 years old girl that was working there. He invented so many inventions when he was 25 years old. He continued inventing so many things until he reached to his great invention which was the light bulb. He had the idea to lighten whole New York City when he was 35 years old. He suffered a bad emotional tragedy as a result of losing his wife. Two years after that, he got married again. Then he kept on working on his inventions and providing the world by what he thought good creations. From all of that we really can see and estimate that Thomas Edison was indeed a very fascinating man. He was very hard working and very ambitious. He was also a very good businessman who had a growing number of companies in several majors. He established a manufacturing company to manufacture electrical devices for him as a art of his plan to lighten all New York City at night time. He did succeed in a certain level but he could not accomplish everything he wanted. Despite all the wealth he made when he was young or before 40 years old, Edison was nothing but a very hard and dedicated person. When he was 81 years old he was awarded the congressional gold medal for all the creation the he had made. Thomas Edison the great scientist passed away on October 18th , 1931. In 22nd of January 2012, there was an article published in the internet written and revised by Ron Kurtus. It was a very useful rticle. The writer divided Edisons life into historical parts. Each and every part showed few of Edisons reputations and the events that led to those reputations. He started from the very first year of Edisons life pointing all the main events and the best creations and inventions. Also, the events during the civil war of The United States of America were mentioned in that article and thats a very good thing. The reason being is that it points out that Thomas Edison was a creative genius even under awtul circumstances such as wars. However, that article nad tew weak points hat are worth mentioning. One of them is the article discusses Edisons life from the date he was born until the age of 40 years old and thats kind of a weakness. Edison had a variety of events after the age of 40 years old. Actually, he was extra famous after the age of 40 years old. Moreover, the writer did not focus at the greatest invention of Edison and that is the light bulb. He Just went through it as it was an easy thing or a normal invention but in fact it changed the world to a better and a brighter world. After few months of this article the writer decided to write another rticle discussing the age of Edison starting from 40 years old until the end of his life. One other weakness to that article is using only one single book as a reference which in this case we need more than one. Another study was published on March 1 lth 2007 by Randall Stross in New York Times newspaper. That article was different from the previous one as it discussed Edisons life from a different perspective. The writer divided Edisons life regarding his creations and inventions not by history or event. The main focus of that article was to point out some of Edisons characteristics and nventions. Therefore, the writer did not discuss much of life event of Edison. Also, the writer aimed to point out Edisons famous reputation and explain few reasons leading to them. That particular article was very impressive. However, the article was corrected approximately twice and that shows that there were mistakes. Also, the writer did not point out the resources or references that were used in that article. Even though the article was very rich in meaning and phrases but still there were no references to asset those meanings. One more very important thing is that the writer oncentrated on the electricity and the electrical inventions more than any other creations of Edison and I could not find a reason for that. Perhaps the reason to that is huge role that the electricity plays in our lives but I still think that it is not fair at all to concentrate on one work and abandon the others. Other than that, the article was really helpful and very clear. The writer had a very clear vision about the scientist, it seems. Last but not least, the greatest book in my opinion about Edison which descried him in a very clear way, Thomas Alva Edison: Sixty Years of an Inventors Life y: Thomas Crowell. This book had everything about Edisons life. The writer discussed so many details regarding Thomas Edisons life. Furthermore, he mentioned so many characteristics about Edisons personality. Also, the book is really great in explaining several steps that were taken by Edison to achieve some of his goals and his inventions. The book covered many points of Thomas Edisons childhood and how he was a hard worker since he was a kid. In addition to that, the book broke down Edisons life into so many pieces with respect of clear words to roduce a clear image in every creation and invention. The book was also great in mentioning the names of Thomass family mates, such as his father, his mother and some of his relatives. Furthermore, the story of his first marriage was included as well in the book which gave it a better value and made the reader likes it more. The writer also put a good time and effort into explaining the business side of Edisons wife and how that affected his personality and helped him developing his reputation and fame. That book was really great by all meanings and it is very clear that the writer ut a lot of effort into that book to make the way it is. Finally, Thomas Edison was one of the greatest people in history. He did his best trying to improve the world. His reputation was growing up day by day due to the nard work ne was putting in himself. It is clear now that Thomas Edison is an unforgotten scientist. From all the above we can conclude that Thomas Edison overcame all the problems that were there in his time. He did not let the civil war in The United States of America stop him from achieving what he wants.

Relationship Between Textiles and Architecture

Relationship Between Textiles and Architecture The Reconciliation of Craft in Architecture as Facilitated by Textiles Abstract This dissertation analyses the enduring relationship between architecture and textiles. Using textiles as a facilitator, the wider relationship between craft and architecture will be explored. The link between architecture and textiles harkens back to an age when woven fibers provided the primitive dwelling of man, developed in various forms throughout history. The significance of this relationship will be examined in particular through the views of nineteenth century architect Gottfried Semper and twentieth century textile artist Anni Albers. With technological advancement in the age of industrialisation, the apparent discourse and perceptions of textile use within the realm of architecture is explored. The distinction between textile use in art and architecture leads to the discussion of surface and structure within the built environment. The question as to what extent tactile and textile based materials allow us to humanise our built environment will be examined. It could be argued that the development of indigenous design has now caught up with the pace of the twenty-first centurys needs and desire for communication and manufacturing. Architecture has reached a point where the contradiction between structure and ornament is no longer apparent. Ornamentation has now become an option, not just an unnecessary expense. A critical re-examination in attitude to that of the twentieth century ‘ornament is a crime, aided by digitalisation is reviving textiles from its confines in the interior to a more multifunctional and overall structural state. It is arguable that this re-examination in attitude can lead to a reconciliation of craft within architecture. In examining the definition of craft within architecture, this dissertation will explore historical and contemporary aspects of designing and making in the process of creating buildings. The future of textiles in architecture is being pioneered in contemporary design. Particular focus is given to the concepts, forms, patterns, materials, processes, technologies and practices that are being produced with the collaboration of textile architecture. While there is wide recognition for the visual aspect of textile in architecture, new aspects of tactile tectonics, sensuous and soft constructivism are growing acclaim. There is much evidence to suggest that the preoccupation of textile in contemporary design challenges traditional perception and the very structure of architecture itself. The conclusion will argue that by applying the traditional idea of craftsmanship in the knowledge of designing and making as one holistic activity to new developments within textile inspired procedures, craft can be reconciled within architecture, as Seamus Heaney speaks of, ‘two orders of knowledge, the practical and the poetic.[1] This can in turn transform contemporary building processes at a level suitable for todays challenges in society and culture. This raises possibilities of how the concepts of the avant-garde designs of many of todays more innovative architecture can be used and realised in the present state and future of architecture and the city. Key words: textiles, humanise, visual, tactile, conceptual, hybrid, digital augmented-processes, making, craftsmanship History, origin and relationship between textiles and architecture The relationship between textiles and architecture starts with corresponding beginning. Their vast history starts from the role of providing shelter, shade and protection in the building envelope, the ‘skin, originating from crudely stitched animal skins. The history, form and expression of physical woven construction and the use of membranes exist from the light tent structures of human habitation. The significance of the connection between the two disciplines allows and carries ‘complex imprints of geographical, cultural, social and personal influences.'[2] Textiles are a powerful medium, rich with symbolic meaning and aesthetic significance. They remain ‘sources of communication and manifestations of power, fibrous forms consisting in present day ‘fashions, vehicles, interior textiles, communication technologies and cutting-edge architecture'[3]. As people became more settled, and with the erection of more solid dwellings, textile use in architecture became somewhat neglected and confined to the interiors. There is the question of the practicality as to what extent textiles could continue to be used for weather and visual protection after the development of mechanisms and insulation within the built environment. Some traditional textile materials and structure have continued to be used to present day in some parts of the world; examples including coverings over markets and stalls and basic protection such as an umbrella in Nepal as shown below: A review of the work of the nineteenth century German architect and theoretician Gottfried Semper (1803-1879) points to the significance of textiles and architecture. Semper remains certain that the ‘beginning of buildings coincides with the beginning of textiles.[4] Throughout his work, Semper gave emphasis to textiles, offering a western perspective on his interpretations of the origin of architecture. He maintained that textile processes were the principal element, from which the ‘earliest basic structural artefact was that of the knot'[5]. Semper goes as far as to state that architecture originated from the primordial need to distinguish interior and exterior spaces with dividers, ‘fencing made of branches, for example, or hanging tapestries of woven grasses.'[6] Semper showed a high level of understanding of textile arts, its adaptability, transformable state and functional elements, seeking to: â€Å"Transform raw materials with the appropriate properties into products, whose common features are great pliancy and considerable absolute strength, sometimes serving in threaded and banded forms as bindings and fastenings, sometimes used as pliant surfaces to cover, to hold, to dress, to enclose, and so forth†[7] There is much evidence to suggest that textiles share an indissoluble links with architecture, dress and the ‘fabric of society.'[8] Sempers theorys on fabric encompasses his principle of ‘bekelidungsprinzip (dressing), that rather than an abstract skin, the fabric and faà §ade of an architectural space is a functional part of the structure, ‘a tectonic figuration conceived according to the purpose and convenience of the use expected from a building.'[9] His ideas of the relationship between the architectural faà §ade as a dressing and skin refer to how cloth could be used to transform the human figure. However, Semper understood a ‘buildings aesthetic, symbolic and even spiritual significance to reside in its decorative surface.'[10] He believed that over time, memory informed building types, retaining the ‘symbolic forms of their earliest architectural predecessors. He believed the geometric patterns of brick and stone walls were ‘an active mem ory of the ancient weavings from which they were derived. [11] This leads us to the perception of tactile and textile qualities within the built environment. Attitudes and perceptions towards tactile and textile use in the built environment The previous chapter emphasises the importance of textile as a structure, distinguisher between the interior and exterior and establishing a sense of place. While he is adamant about the relevance of textiles within architecture, it is arguable that for centuries the value of textiles as a material was reduced to little significance. Furthermore, textiles can be seen to have been largely excluded from use in a majority of architecture theory and production. It could be argued that one aspect of textiles being somewhat dismissed within the realm of architecture is a result of architecture being portrayed as exclusive and elitist. The separation between textiles and architecture can be seen as dating form the Renaissance. There existed prejudicial distinctions between the importance of ‘minor arts such as craft and textiles, and the ‘major arts of architecture. Distinctions as the art critic Barbara Rose states in New York Magazine, 1972, ‘imposed at the end of the Mi ddle Ages when the guilds disappeared to be replaced by the Renaissance academies.'[12] While movements such as Art Nouveau and the Arts and Crafts pointed towards architecture that had a direct relationship with arts, the discourse between crafts could be seen to be at its highest point during the nineteenth and twentieth centuries with the event of industrialisation and modernism. The modernist purist concept lay in the emphasis on purism and functionalism of the architecture itself. It can be argued that the architectural focus on rationalism began to isolate and neglect the spiritual and humanising qualities of a building. The conflicting aspects between the modern movement and a lack of humanistic architecture can be seen through various sources. Adolf Loos twentieth century manifesto stating the removal of ornamentation is synonymous with ‘the evolution of culture'[13], had a large impact on the development of our built environment. Some feel that this restricted us from: â€Å"A language in which visual thoughts, worldly ideas, communal ethos, and memories may be directly deposited and communicated within the substance of material objects.†[14] While architects such as Le Corbusier clearly expressed their rejection of ornament, believing in that ‘form follows function, contradictions can be clearly seen with his passion and participation in the tapestry revival. Tapestries have proved an impacting force in the discussion of textiles and architecture. While it is arguable that the high period of tapestry of art can be acknowledged to be the medieval era, new developments in the late 1920s, ‘instead of a woven picture on a wall, tapestry became a wall'[15]. He considered them a ‘mural-nomad a portable mural. The addition of hanging woven reliefs after the modernist era can be seen as an attempt to â€Å"humanise the ‘brutalist architecture of the 70s.† [16] A leading figure in avant-garde tapestry is maker Tadek Beutlich, originally from Poland. His work below, ‘Archangel is eight-foot wide, feathers made out of sisal and other fibres, portraying his mastered technique of weaving, braiding, wrapping, plaiting, ravelling and unravelling. His display of enormous weavings and fiber based installations of such scale and tactile nature, bringing into question the industry versus the hand. Some textile arts can be seen as architectural by encompassing the surface they are attached to with such scale and magnitude. Sheila Hicks wall hanging shows how thread begins to take form of a structure, manipulated and composed like a ‘single brick transformed through structural multiplication into a wall'[17]. The French philosopher Claude Levi Strauss goes as far as to comment on Hicks work that: â€Å"Nothing better than this art could provide altogether the adornment and the antidote for the functional, utilitarian architecture in which we are sentenced to dwell.† The Bauhaus school, renowned for its promotion of a new architectural style, was actually founded for the arts and crafts. However emphasis passed to materials and construction in order to meet the social and technological requirements of the twentieth-century architecture and industrial design. Anni Albers is an example of a weaver at the Bauhaus whose tapestries reflect the chance and spirit of the time. It is arguable that as the ‘ethical and intellectual commitments were made and new materials and processes embraced, visceral and emotional aspects diminished. However the Bauhaus remains an important influence in the expression of materials and structure, rediscovering the ‘importance of expressing texture, structure, and broken colour and in finding new aspects of pattern with the vertical-horizontal format of woven cloth'[18]. Through an investigation between the similarities that exist between the art of weaving and the realisation of architecture, it is clear that the concepts overlap. Both of the nineteenth and twentieth century theorists Semper and Anni Albers, expressed how the similarities between architects and weavers go beyond surface appearance. Textiles within a space can affect the atmosphere, light, climate, acoustics and spatial arrangements. It is recognised that quality can be achieved by relating the physical properties of their work with aesthetic implications and the inherent and underlying aspect of structure. Anni Albers reinforces the architects and weavers common interests: â€Å"Surface quality of material, that is matià ¨re, being mainly a quality of appearance, is an aesthetic quality and therefore a medium of the artist; while quality of inner structure is, above all, a matter of function and therefore the concern of the scientist and engineer. Sometimes material surface together with material structure are the main components of a work; in textile works for instance, specifically in weavings or, on another scale, in works of architecture†[19] (really interesting but itsnt is also an indictment that we dont accept that surface also requires inherent structure) Albers reinforces the importance of textiles within the future of architecture, stating that â€Å"similarities between structural principles of weaving and those of architecture â€Å"textiles, so often no more than an after thought in planning, might take a place again as a contributing thought† [20]. Textile revival For the last several decades, expanded by recent technological advances in textiles, the craft of using textiles conceptually and visually has been gaining recognition, reframing its domestic connotations and the confines of the interior. The next generation of textiles is ‘heralded by technological interfaces, programmable surfaces and architectonic capabilities.'[21] A rejection of European modernism and ideas of universality, textiles as a craft is covering new conceptual ground. Textiles is forging an ever closer relationship with architecture, the two disciplines merging with surface and structure. New sources of sustainable materials are providing another aspect into how the human body is experiences and the urban environment built. Computer technology is inviting new relationships between craft and architecture: â€Å"By exploiting the singular meanings of textile forms, structure, and processes, these textile artists are sometimes placed outside the general art discourse.†[22] Textiles can be described as a medium â€Å"without clear, self-defining boundaries or limitations.†[23] Architects and artists from the 1990s have shown increased vigour in unravelling the essential nature of textiles. Having recaptured with the historical importance of textiles, their attention turned to infusing the same level of emphasis into textiles within the built environment. Some have commented on the flexibility and adaptability of the medium, acting â€Å"as a vacuum sucking up new materials, techniques, and modes of expression. It has changed its form, size, psychology, and philosophical stance.†[24] What unifies designers and artists as a driving force in the creative field of surface design is their enthusiasm for the dimensional possibilities inherent in cloth. There is a fascination by some about the idea of cloth holding the memory of action performed on it; â€Å"It is for each generation to expand the vocabulary of approaches to cloth.†[25] This aspect of working with fabric is directed towards the history and memory of fabric, focusing on expressionism; an emotional connection to objects and a tactile spatial awareness. It is arguable that the uniqueness of the craft of textiles in relation to design and architecture lays in the personal input from the individual maker. Critics and scholars have â€Å"long recognised that the quality of art lies in concept and quality of insight, not in materials and tools†. (state diff textile design +art, textile designers that design +someone else manufactures-how fit into argument ? ) Matthew Koumis highlights how the establishment of textiles applied in a space can differ according to Western and Japanese environments. Koumis points out that in the West a basic element in the hanging of tapestries was to decorate walls of brick or stone, modifying and softening the space. However, These walls didnt exist in traditional Japanese homes where structures were supported by wooden beams. Some argue that the ‘fasuma and shoj (made from wood and paper) exhibit ‘textile characteristics and they can take on ‘textile functions, ‘representing a further development of traditional textile membrane materials.[26] While Japanese houses do not have designated purposes, textiles or tactile surfaces can be used to designate the function of the space: â€Å"Their contents, and especially their design elements, vary according to the use of the room at any one time. Cloth is often involved in bringing about such changes.† [27] Ornamentation Decoration has been used throughout time to apply meaning and a sense of belonging in shelters. It could be argued that textiles as a form of decoration plays a vital role in establishing a buildings identity. It can describe the function, visually define the spaces and offer up claims as to a sense of the owner or users personality. While cost factor and lack of funding in public arts can be seen as one element, artistic adornment has now reached a stage, aided by digitalisation, that can now be seen as a viable option and not just an unnecessary expense. There is a hope that this can again restore peoples pride in their environment and a representation of their culture. There is much argument to suggest that the diminished financial support for public art and corporate collections has led to: â€Å"the convergence of industrial and digital production techniques in textiles capture the essence of labor-intensive hand-craft that is lost or cannot be achieved due to economic conditions and symbolize a contemporary design spirit.† [28] A reversal in attitude towards Adolf Loos ‘Ornament is a Crime is taking place. As such, the work of artists, designers and architects are using technological advances that revive ornament and placing them at the forefront of design. Can you give evidence? And refs on this Designers such as Tord Boontje are reviving a new style of ornament taking the intention of pre-modern design and making it ‘new. His investigation into the relationship between materials, structures, and surfaces, fleshing out the relationship between craft, design and technology.[29] Boontje sees ‘design as a way of shaping the future of our world,[30] combining nature and culture, the oldest and latest materials and technologies, forms, functions and colour combinations, and the (most importantly) Be clear about why you are using him as a ref aesthetic of ornament. The computer programmer Andrew Allenson who has collaborated with Boontje, sees a relationship between craft and technology, â€Å"Architects and designers can get bogged down in professional management and policy. Tord shows you can be more concerned with process and integrity and self-belief. Ive always thought there is a similarity between craft and software.† [31] Again be sure what is improatnt about quote and why you need to use it this starts on one track and only comes to the track you want at the end Boontje has taken a new manifestation of function, understanding elements of design from a new point of view and rejoicing in the freedom it has engendered him. Engendered him to what? Like the architect and philospher†¦.Morris (William?), Boontje looks at history and acknowledges a wish for social engagement and the beauty of use based on a response to nature, but Boontje has, as †¦ says (date) â€Å"extended Morriss legacy by achieving globalised industrial production and embracing the latest technology.† [32] Fabric is used throughout Boontjes work with technical innovation, laser-cutting and digital printing. Due to the unpredictable nature of fabric with its elasticity and deformational properties, Boontje realises the difficulty in working with fabric. This unpredictability can also be turned to advantage, collaborating with Swiss and Japanese manufacturers to create a clear expression. Textile and paper are filtered throughout his work, multiple layers being manipulated to create soft definitions of space with nature acting as a dominant influence. Boontje emphasises the importance of textiles and its relationship to ourselves and the wider society; â€Å"For cloth, like the body, is a mediating surface through which we encounter the world.† [33] Boontje is also crossing the discipline between textiles into architecture, experimenting in ‘fabric room, as shown below. He states his fascination by ‘the way a draped fabric folds itself in very organic shapes, and realises the insulating properties of the cloth, providing ‘warmth in the winter and coolness in the summer. [34] Explain the relevance of this draw out the argument†¦ and does this sit under title digital ornamentation The possibility of craft within textile architecture Link textile + craft. Say textiles craft wider issues of how craft enhance environment. Applicable to textiles craftsmanship. End pt clear argument This dissertation will begin to examine the possibility of craft within textile architecture, first beginning with the definition of craftsmanship within architecture, to theories in relation to making with the hand and how the issue of craft resides with new technological advancement. Finally, I will come to a conclusion as to how the craft of textiles raises new possibilities towards a reconciliation of the traditional meaning of craftsmanship, combined with new methods and material matter through use of digital visualisation and technological manufacturing process. Henry van de Velde, the Belgian architect insisted that ‘crafts were the great creative reservoir for the future. [35] The definition and theories of craftsmanship Historically in the creation of architecture, each form of knowledge was in the making and designing as one holistic activity. The definition of an architect stems from its origins as a chief builder: â€Å"Etymologically derived from the Latin architectus, itself derived from the Greek arkhitekton (arkhi-, chief + tekton, builder)†[36] The skilled craftsmanship of the builder came from the stonemason craft, â€Å"an imaginative and creative designer on one hand, who was comprehensively and intimately familiar, at the same time, with the means by which his design could be brought to realisation in actual stone and morter.†[37] Using tools as extensions of the hand, the chief builder with a high degree of knowledge and skill ensured a synthesis between tool, material, structure and form. Malcolm McCullough (who is he?) defines a tool (When?) as ‘a moving entity whose use is initiated and actively guided by a human being, for whom it acts as an extension, towards a specific purpose. However, he clarifies what influences perceptions of craft in work as the ‘degree of personal participation, more than any degree of independence from machine technology.[38] Craft involves a union of the hand, tool and mind; craftsmanship arising from manual skill, training and experience. Juhani Pallasmaa argues that the skilled practice of a craft involves imagination of the hand. This skilled practice is at its highest art when it is working from existing knowledge, a ‘continuous meeting and joining of the hands of successive generations. This generational knowledge, of knowing how to apply craft, has came from relaying on the traditional cultures daily spheres of work and life were an ‘endless passing of the hand skills and their product on to others. [39] key point here is also succession at its highest art when it is working from existing knowledge generational knowledge/ experience /- better still ‘know how but is that applicable to ‘new craft? ummmmm interesting Show acknowledge pt new craft doesnt have same involvement, good desiner still basic knowledge cloth. May lose out, stil managing There are various viewpoints about the interaction of the bodily action of the hand and the imagination. Pallasmaa argues that: â€Å"The craftsman needs to develop specific relationships between thought and making, idea and execution, action and matter, learning and performance, self-identity and work, pride and humility. The craftsman need to embody the tool or instrument, internalize the nature of the material and eventually turn him/herself into his/her own product, either material or immaterial.† [40] In examining the value of craft inherent in artisanal work and design, it is arguable that a joint effort of manual work and technology can produce a high standard of results. From my travels in India and Nepal it wasnt uncommon to find manual work that is not merely artisanal but in fact comes very close to industrial work. Eg?- Tadao Ando reflects on how the digital age has modified his design process, feeling the brain and hands work together, the hand an ‘extension of the thinking process, however you ‘cannot ignore the creativity that computer technology can bring. While acknowledging the new kind of creativity, he realises the important in being ‘able to move between those different worlds.[41] Issey Miyake is under the opinion that the ‘joint power of technology and manual work enables us to revive the warmth of the human hand. While never forgetting the importance of tradition, Miyakes concept of ‘Making Things involves creating things that make ‘life more agreeable in todays v interestingsociety and less burdensome in tomorrows. He concludes that technology is not the most important thing: ‘it is always our brains, our thoughts, out hands, our bodies which express the most essential things, the foundation of all expression and the emotion they can provide.†[42] Indent left 1.27cm It is arguable that a discourse in craft and design can only lead to ultimate failure within architecture and its wider implications. !! in architecture or where? Richard Sennetts ‘the Craftsman shows how historical divisions between craftsman and artist, maker and user, technique and expression, practice and theory leads to a disadvantage for the individual and society as a whole. Sennett realises that a consideration of the past lives of crafts and craftsmen show us ways of working, using tools, acquiring skills and thinking about materials. However he argues for more value to craftsmanship than a mere technical ability, raising ethical questions about the craftsmans stance. This raises the question Does the designing and making in the spirit of the craftsman entail the skilled application of contemporary as well as functional tools? Is this your question or his? Not clear here While Ando uses architecture to reconcile the logic and spirit of new technologies, he realises â €˜that people always relate to the spirit of the place, or the spirit of the time. We are reminded that our cities themselves are more important than individual reputations and accomplishments. This is emphasized with Aldo Rossis claim that â€Å"places are stronger than people.†[43] legends, rituals and and genetics outlive any building silly Rossi but of course when you are a fascist power/ful structures are naturally more important than human life.- what do you believe in this- will see in conclusion Some have set forward the argument that is the architects role to unite construction, purpose and place. John Tuomey sets a clear demonstration of his desire for: getting feeling that drifting into PLACE may be dissipating argument of dissertation this section is called The possibility of craft within textile architecture- need to stay focused think comment about ‘strategy in Tuomeys quote is useful since its a shift from craft as ‘manual grafting to craft as ‘strategic thinking- very interesting the crafting occurs then within both the process and the product think I might bring this into my next paper- will reference you ORLA for inspiration ! â€Å"a way of thinking which would provide an integration between construction and the site, a re-casting of the redundant craft condition which by tradition would exploit local materials and harness indigenous skillsembedding an initial sense of strategy which could remain evident in the eventual experience of an actual building.†[44] Architecture needs mechanisms that allow it to become connected to culture. Tuomeys greatest insight is to declare â€Å"we are agents in the continuity of architectural culture†. He uses professional knowledge and experience to realise the choices architects face are not â€Å"the reaction of an individual moment, but the exercise of an established craft in the continuity of time†. I agree only 50% with this since I think Architecture has been exclusive and elitist and needs to deconstruct its genealogy at times- again very interesting Architecture can be viewed rationally and historically, its composite nature in structure, function and physical state combined with cultural, political and temporal aspects. Is this a sentence Architecture develops through new innovations connecting these forces, manifesting itself in new aesthetic compositions and affects. The most successful of which provide expressions that are contemporary, yet whose effects are resilient in time. Well said The question remains, will new effects of innovative detailing, experimental use of materials overcome the modernist failure to â€Å"visually soften or improve with age.†[45] As remarked by Alvar Aalto; â€Å"it is not what a building looks like on the day it is opened but what it is like thirty years later that matters.†[46] It is clear that craftsmanship is viewed in its preoccupation of the present, yet depends, as commented by Tony Fretton, on â€Å"relations between innovation and past events, between individual and collective activity.† [47] Architecture has had to adapt to the change caused by the industry and manufacturing, the individual genius, politics and the rhetoric at some level. It could be said in every historical age it is the people who aid change; they develop the analysis and ideal to what architecture should be. This can result in a tyranny as stated by William Curtis(date); â€Å"Detractors resorted to monolithic caricatures, blaming the mythical ‘modernism for everything from mindless materialism, to the destruction of national identity, to the construction of unbelievable housing schemes.†[48] This view is enforced by Alvar Aalto; â€Å"The architecture revolution, like all revolutions, begins with enthusiasm and ends in some form of Dictatorship.†[49] H owever it is individuals who can also move us on to create statements about the way the world should be, through forms, light, space and material. Think you need to rehease whay you were saying in this section and why as a reader I can get each statement but not the overall argument perhaps some mini conclusion at end of sections or re-statement of argument This again points out, emphasises Review of the development of Contemporary Textile Designs through Architecture Case Studies By the mid-twentieth century, largely influenced by the work of Frei Otto, a pioneer in the creation of tensile fabric structures, new developments began in the area of self-supporting membrane structures. Textile construction began ‘taking on a permanence, as an alternative to classical architecture, which it had never seen before.[50] His design for the Munich Olympic Stadium, set â€Å"new standards of material performance and aesthetic in textile architecture with tent, net, pneumatic and suspended constructions.[51] Through the use of technological advancement, pneumatic structure Relationship Between Textiles and Architecture Relationship Between Textiles and Architecture The Reconciliation of Craft in Architecture as Facilitated by Textiles Abstract This dissertation analyses the enduring relationship between architecture and textiles. Using textiles as a facilitator, the wider relationship between craft and architecture will be explored. The link between architecture and textiles harkens back to an age when woven fibers provided the primitive dwelling of man, developed in various forms throughout history. The significance of this relationship will be examined in particular through the views of nineteenth century architect Gottfried Semper and twentieth century textile artist Anni Albers. With technological advancement in the age of industrialisation, the apparent discourse and perceptions of textile use within the realm of architecture is explored. The distinction between textile use in art and architecture leads to the discussion of surface and structure within the built environment. The question as to what extent tactile and textile based materials allow us to humanise our built environment will be examined. It could be argued that the development of indigenous design has now caught up with the pace of the twenty-first centurys needs and desire for communication and manufacturing. Architecture has reached a point where the contradiction between structure and ornament is no longer apparent. Ornamentation has now become an option, not just an unnecessary expense. A critical re-examination in attitude to that of the twentieth century ‘ornament is a crime, aided by digitalisation is reviving textiles from its confines in the interior to a more multifunctional and overall structural state. It is arguable that this re-examination in attitude can lead to a reconciliation of craft within architecture. In examining the definition of craft within architecture, this dissertation will explore historical and contemporary aspects of designing and making in the process of creating buildings. The future of textiles in architecture is being pioneered in contemporary design. Particular focus is given to the concepts, forms, patterns, materials, processes, technologies and practices that are being produced with the collaboration of textile architecture. While there is wide recognition for the visual aspect of textile in architecture, new aspects of tactile tectonics, sensuous and soft constructivism are growing acclaim. There is much evidence to suggest that the preoccupation of textile in contemporary design challenges traditional perception and the very structure of architecture itself. The conclusion will argue that by applying the traditional idea of craftsmanship in the knowledge of designing and making as one holistic activity to new developments within textile inspired procedures, craft can be reconciled within architecture, as Seamus Heaney speaks of, ‘two orders of knowledge, the practical and the poetic.[1] This can in turn transform contemporary building processes at a level suitable for todays challenges in society and culture. This raises possibilities of how the concepts of the avant-garde designs of many of todays more innovative architecture can be used and realised in the present state and future of architecture and the city. Key words: textiles, humanise, visual, tactile, conceptual, hybrid, digital augmented-processes, making, craftsmanship History, origin and relationship between textiles and architecture The relationship between textiles and architecture starts with corresponding beginning. Their vast history starts from the role of providing shelter, shade and protection in the building envelope, the ‘skin, originating from crudely stitched animal skins. The history, form and expression of physical woven construction and the use of membranes exist from the light tent structures of human habitation. The significance of the connection between the two disciplines allows and carries ‘complex imprints of geographical, cultural, social and personal influences.'[2] Textiles are a powerful medium, rich with symbolic meaning and aesthetic significance. They remain ‘sources of communication and manifestations of power, fibrous forms consisting in present day ‘fashions, vehicles, interior textiles, communication technologies and cutting-edge architecture'[3]. As people became more settled, and with the erection of more solid dwellings, textile use in architecture became somewhat neglected and confined to the interiors. There is the question of the practicality as to what extent textiles could continue to be used for weather and visual protection after the development of mechanisms and insulation within the built environment. Some traditional textile materials and structure have continued to be used to present day in some parts of the world; examples including coverings over markets and stalls and basic protection such as an umbrella in Nepal as shown below: A review of the work of the nineteenth century German architect and theoretician Gottfried Semper (1803-1879) points to the significance of textiles and architecture. Semper remains certain that the ‘beginning of buildings coincides with the beginning of textiles.[4] Throughout his work, Semper gave emphasis to textiles, offering a western perspective on his interpretations of the origin of architecture. He maintained that textile processes were the principal element, from which the ‘earliest basic structural artefact was that of the knot'[5]. Semper goes as far as to state that architecture originated from the primordial need to distinguish interior and exterior spaces with dividers, ‘fencing made of branches, for example, or hanging tapestries of woven grasses.'[6] Semper showed a high level of understanding of textile arts, its adaptability, transformable state and functional elements, seeking to: â€Å"Transform raw materials with the appropriate properties into products, whose common features are great pliancy and considerable absolute strength, sometimes serving in threaded and banded forms as bindings and fastenings, sometimes used as pliant surfaces to cover, to hold, to dress, to enclose, and so forth†[7] There is much evidence to suggest that textiles share an indissoluble links with architecture, dress and the ‘fabric of society.'[8] Sempers theorys on fabric encompasses his principle of ‘bekelidungsprinzip (dressing), that rather than an abstract skin, the fabric and faà §ade of an architectural space is a functional part of the structure, ‘a tectonic figuration conceived according to the purpose and convenience of the use expected from a building.'[9] His ideas of the relationship between the architectural faà §ade as a dressing and skin refer to how cloth could be used to transform the human figure. However, Semper understood a ‘buildings aesthetic, symbolic and even spiritual significance to reside in its decorative surface.'[10] He believed that over time, memory informed building types, retaining the ‘symbolic forms of their earliest architectural predecessors. He believed the geometric patterns of brick and stone walls were ‘an active mem ory of the ancient weavings from which they were derived. [11] This leads us to the perception of tactile and textile qualities within the built environment. Attitudes and perceptions towards tactile and textile use in the built environment The previous chapter emphasises the importance of textile as a structure, distinguisher between the interior and exterior and establishing a sense of place. While he is adamant about the relevance of textiles within architecture, it is arguable that for centuries the value of textiles as a material was reduced to little significance. Furthermore, textiles can be seen to have been largely excluded from use in a majority of architecture theory and production. It could be argued that one aspect of textiles being somewhat dismissed within the realm of architecture is a result of architecture being portrayed as exclusive and elitist. The separation between textiles and architecture can be seen as dating form the Renaissance. There existed prejudicial distinctions between the importance of ‘minor arts such as craft and textiles, and the ‘major arts of architecture. Distinctions as the art critic Barbara Rose states in New York Magazine, 1972, ‘imposed at the end of the Mi ddle Ages when the guilds disappeared to be replaced by the Renaissance academies.'[12] While movements such as Art Nouveau and the Arts and Crafts pointed towards architecture that had a direct relationship with arts, the discourse between crafts could be seen to be at its highest point during the nineteenth and twentieth centuries with the event of industrialisation and modernism. The modernist purist concept lay in the emphasis on purism and functionalism of the architecture itself. It can be argued that the architectural focus on rationalism began to isolate and neglect the spiritual and humanising qualities of a building. The conflicting aspects between the modern movement and a lack of humanistic architecture can be seen through various sources. Adolf Loos twentieth century manifesto stating the removal of ornamentation is synonymous with ‘the evolution of culture'[13], had a large impact on the development of our built environment. Some feel that this restricted us from: â€Å"A language in which visual thoughts, worldly ideas, communal ethos, and memories may be directly deposited and communicated within the substance of material objects.†[14] While architects such as Le Corbusier clearly expressed their rejection of ornament, believing in that ‘form follows function, contradictions can be clearly seen with his passion and participation in the tapestry revival. Tapestries have proved an impacting force in the discussion of textiles and architecture. While it is arguable that the high period of tapestry of art can be acknowledged to be the medieval era, new developments in the late 1920s, ‘instead of a woven picture on a wall, tapestry became a wall'[15]. He considered them a ‘mural-nomad a portable mural. The addition of hanging woven reliefs after the modernist era can be seen as an attempt to â€Å"humanise the ‘brutalist architecture of the 70s.† [16] A leading figure in avant-garde tapestry is maker Tadek Beutlich, originally from Poland. His work below, ‘Archangel is eight-foot wide, feathers made out of sisal and other fibres, portraying his mastered technique of weaving, braiding, wrapping, plaiting, ravelling and unravelling. His display of enormous weavings and fiber based installations of such scale and tactile nature, bringing into question the industry versus the hand. Some textile arts can be seen as architectural by encompassing the surface they are attached to with such scale and magnitude. Sheila Hicks wall hanging shows how thread begins to take form of a structure, manipulated and composed like a ‘single brick transformed through structural multiplication into a wall'[17]. The French philosopher Claude Levi Strauss goes as far as to comment on Hicks work that: â€Å"Nothing better than this art could provide altogether the adornment and the antidote for the functional, utilitarian architecture in which we are sentenced to dwell.† The Bauhaus school, renowned for its promotion of a new architectural style, was actually founded for the arts and crafts. However emphasis passed to materials and construction in order to meet the social and technological requirements of the twentieth-century architecture and industrial design. Anni Albers is an example of a weaver at the Bauhaus whose tapestries reflect the chance and spirit of the time. It is arguable that as the ‘ethical and intellectual commitments were made and new materials and processes embraced, visceral and emotional aspects diminished. However the Bauhaus remains an important influence in the expression of materials and structure, rediscovering the ‘importance of expressing texture, structure, and broken colour and in finding new aspects of pattern with the vertical-horizontal format of woven cloth'[18]. Through an investigation between the similarities that exist between the art of weaving and the realisation of architecture, it is clear that the concepts overlap. Both of the nineteenth and twentieth century theorists Semper and Anni Albers, expressed how the similarities between architects and weavers go beyond surface appearance. Textiles within a space can affect the atmosphere, light, climate, acoustics and spatial arrangements. It is recognised that quality can be achieved by relating the physical properties of their work with aesthetic implications and the inherent and underlying aspect of structure. Anni Albers reinforces the architects and weavers common interests: â€Å"Surface quality of material, that is matià ¨re, being mainly a quality of appearance, is an aesthetic quality and therefore a medium of the artist; while quality of inner structure is, above all, a matter of function and therefore the concern of the scientist and engineer. Sometimes material surface together with material structure are the main components of a work; in textile works for instance, specifically in weavings or, on another scale, in works of architecture†[19] (really interesting but itsnt is also an indictment that we dont accept that surface also requires inherent structure) Albers reinforces the importance of textiles within the future of architecture, stating that â€Å"similarities between structural principles of weaving and those of architecture â€Å"textiles, so often no more than an after thought in planning, might take a place again as a contributing thought† [20]. Textile revival For the last several decades, expanded by recent technological advances in textiles, the craft of using textiles conceptually and visually has been gaining recognition, reframing its domestic connotations and the confines of the interior. The next generation of textiles is ‘heralded by technological interfaces, programmable surfaces and architectonic capabilities.'[21] A rejection of European modernism and ideas of universality, textiles as a craft is covering new conceptual ground. Textiles is forging an ever closer relationship with architecture, the two disciplines merging with surface and structure. New sources of sustainable materials are providing another aspect into how the human body is experiences and the urban environment built. Computer technology is inviting new relationships between craft and architecture: â€Å"By exploiting the singular meanings of textile forms, structure, and processes, these textile artists are sometimes placed outside the general art discourse.†[22] Textiles can be described as a medium â€Å"without clear, self-defining boundaries or limitations.†[23] Architects and artists from the 1990s have shown increased vigour in unravelling the essential nature of textiles. Having recaptured with the historical importance of textiles, their attention turned to infusing the same level of emphasis into textiles within the built environment. Some have commented on the flexibility and adaptability of the medium, acting â€Å"as a vacuum sucking up new materials, techniques, and modes of expression. It has changed its form, size, psychology, and philosophical stance.†[24] What unifies designers and artists as a driving force in the creative field of surface design is their enthusiasm for the dimensional possibilities inherent in cloth. There is a fascination by some about the idea of cloth holding the memory of action performed on it; â€Å"It is for each generation to expand the vocabulary of approaches to cloth.†[25] This aspect of working with fabric is directed towards the history and memory of fabric, focusing on expressionism; an emotional connection to objects and a tactile spatial awareness. It is arguable that the uniqueness of the craft of textiles in relation to design and architecture lays in the personal input from the individual maker. Critics and scholars have â€Å"long recognised that the quality of art lies in concept and quality of insight, not in materials and tools†. (state diff textile design +art, textile designers that design +someone else manufactures-how fit into argument ? ) Matthew Koumis highlights how the establishment of textiles applied in a space can differ according to Western and Japanese environments. Koumis points out that in the West a basic element in the hanging of tapestries was to decorate walls of brick or stone, modifying and softening the space. However, These walls didnt exist in traditional Japanese homes where structures were supported by wooden beams. Some argue that the ‘fasuma and shoj (made from wood and paper) exhibit ‘textile characteristics and they can take on ‘textile functions, ‘representing a further development of traditional textile membrane materials.[26] While Japanese houses do not have designated purposes, textiles or tactile surfaces can be used to designate the function of the space: â€Å"Their contents, and especially their design elements, vary according to the use of the room at any one time. Cloth is often involved in bringing about such changes.† [27] Ornamentation Decoration has been used throughout time to apply meaning and a sense of belonging in shelters. It could be argued that textiles as a form of decoration plays a vital role in establishing a buildings identity. It can describe the function, visually define the spaces and offer up claims as to a sense of the owner or users personality. While cost factor and lack of funding in public arts can be seen as one element, artistic adornment has now reached a stage, aided by digitalisation, that can now be seen as a viable option and not just an unnecessary expense. There is a hope that this can again restore peoples pride in their environment and a representation of their culture. There is much argument to suggest that the diminished financial support for public art and corporate collections has led to: â€Å"the convergence of industrial and digital production techniques in textiles capture the essence of labor-intensive hand-craft that is lost or cannot be achieved due to economic conditions and symbolize a contemporary design spirit.† [28] A reversal in attitude towards Adolf Loos ‘Ornament is a Crime is taking place. As such, the work of artists, designers and architects are using technological advances that revive ornament and placing them at the forefront of design. Can you give evidence? And refs on this Designers such as Tord Boontje are reviving a new style of ornament taking the intention of pre-modern design and making it ‘new. His investigation into the relationship between materials, structures, and surfaces, fleshing out the relationship between craft, design and technology.[29] Boontje sees ‘design as a way of shaping the future of our world,[30] combining nature and culture, the oldest and latest materials and technologies, forms, functions and colour combinations, and the (most importantly) Be clear about why you are using him as a ref aesthetic of ornament. The computer programmer Andrew Allenson who has collaborated with Boontje, sees a relationship between craft and technology, â€Å"Architects and designers can get bogged down in professional management and policy. Tord shows you can be more concerned with process and integrity and self-belief. Ive always thought there is a similarity between craft and software.† [31] Again be sure what is improatnt about quote and why you need to use it this starts on one track and only comes to the track you want at the end Boontje has taken a new manifestation of function, understanding elements of design from a new point of view and rejoicing in the freedom it has engendered him. Engendered him to what? Like the architect and philospher†¦.Morris (William?), Boontje looks at history and acknowledges a wish for social engagement and the beauty of use based on a response to nature, but Boontje has, as †¦ says (date) â€Å"extended Morriss legacy by achieving globalised industrial production and embracing the latest technology.† [32] Fabric is used throughout Boontjes work with technical innovation, laser-cutting and digital printing. Due to the unpredictable nature of fabric with its elasticity and deformational properties, Boontje realises the difficulty in working with fabric. This unpredictability can also be turned to advantage, collaborating with Swiss and Japanese manufacturers to create a clear expression. Textile and paper are filtered throughout his work, multiple layers being manipulated to create soft definitions of space with nature acting as a dominant influence. Boontje emphasises the importance of textiles and its relationship to ourselves and the wider society; â€Å"For cloth, like the body, is a mediating surface through which we encounter the world.† [33] Boontje is also crossing the discipline between textiles into architecture, experimenting in ‘fabric room, as shown below. He states his fascination by ‘the way a draped fabric folds itself in very organic shapes, and realises the insulating properties of the cloth, providing ‘warmth in the winter and coolness in the summer. [34] Explain the relevance of this draw out the argument†¦ and does this sit under title digital ornamentation The possibility of craft within textile architecture Link textile + craft. Say textiles craft wider issues of how craft enhance environment. Applicable to textiles craftsmanship. End pt clear argument This dissertation will begin to examine the possibility of craft within textile architecture, first beginning with the definition of craftsmanship within architecture, to theories in relation to making with the hand and how the issue of craft resides with new technological advancement. Finally, I will come to a conclusion as to how the craft of textiles raises new possibilities towards a reconciliation of the traditional meaning of craftsmanship, combined with new methods and material matter through use of digital visualisation and technological manufacturing process. Henry van de Velde, the Belgian architect insisted that ‘crafts were the great creative reservoir for the future. [35] The definition and theories of craftsmanship Historically in the creation of architecture, each form of knowledge was in the making and designing as one holistic activity. The definition of an architect stems from its origins as a chief builder: â€Å"Etymologically derived from the Latin architectus, itself derived from the Greek arkhitekton (arkhi-, chief + tekton, builder)†[36] The skilled craftsmanship of the builder came from the stonemason craft, â€Å"an imaginative and creative designer on one hand, who was comprehensively and intimately familiar, at the same time, with the means by which his design could be brought to realisation in actual stone and morter.†[37] Using tools as extensions of the hand, the chief builder with a high degree of knowledge and skill ensured a synthesis between tool, material, structure and form. Malcolm McCullough (who is he?) defines a tool (When?) as ‘a moving entity whose use is initiated and actively guided by a human being, for whom it acts as an extension, towards a specific purpose. However, he clarifies what influences perceptions of craft in work as the ‘degree of personal participation, more than any degree of independence from machine technology.[38] Craft involves a union of the hand, tool and mind; craftsmanship arising from manual skill, training and experience. Juhani Pallasmaa argues that the skilled practice of a craft involves imagination of the hand. This skilled practice is at its highest art when it is working from existing knowledge, a ‘continuous meeting and joining of the hands of successive generations. This generational knowledge, of knowing how to apply craft, has came from relaying on the traditional cultures daily spheres of work and life were an ‘endless passing of the hand skills and their product on to others. [39] key point here is also succession at its highest art when it is working from existing knowledge generational knowledge/ experience /- better still ‘know how but is that applicable to ‘new craft? ummmmm interesting Show acknowledge pt new craft doesnt have same involvement, good desiner still basic knowledge cloth. May lose out, stil managing There are various viewpoints about the interaction of the bodily action of the hand and the imagination. Pallasmaa argues that: â€Å"The craftsman needs to develop specific relationships between thought and making, idea and execution, action and matter, learning and performance, self-identity and work, pride and humility. The craftsman need to embody the tool or instrument, internalize the nature of the material and eventually turn him/herself into his/her own product, either material or immaterial.† [40] In examining the value of craft inherent in artisanal work and design, it is arguable that a joint effort of manual work and technology can produce a high standard of results. From my travels in India and Nepal it wasnt uncommon to find manual work that is not merely artisanal but in fact comes very close to industrial work. Eg?- Tadao Ando reflects on how the digital age has modified his design process, feeling the brain and hands work together, the hand an ‘extension of the thinking process, however you ‘cannot ignore the creativity that computer technology can bring. While acknowledging the new kind of creativity, he realises the important in being ‘able to move between those different worlds.[41] Issey Miyake is under the opinion that the ‘joint power of technology and manual work enables us to revive the warmth of the human hand. While never forgetting the importance of tradition, Miyakes concept of ‘Making Things involves creating things that make ‘life more agreeable in todays v interestingsociety and less burdensome in tomorrows. He concludes that technology is not the most important thing: ‘it is always our brains, our thoughts, out hands, our bodies which express the most essential things, the foundation of all expression and the emotion they can provide.†[42] Indent left 1.27cm It is arguable that a discourse in craft and design can only lead to ultimate failure within architecture and its wider implications. !! in architecture or where? Richard Sennetts ‘the Craftsman shows how historical divisions between craftsman and artist, maker and user, technique and expression, practice and theory leads to a disadvantage for the individual and society as a whole. Sennett realises that a consideration of the past lives of crafts and craftsmen show us ways of working, using tools, acquiring skills and thinking about materials. However he argues for more value to craftsmanship than a mere technical ability, raising ethical questions about the craftsmans stance. This raises the question Does the designing and making in the spirit of the craftsman entail the skilled application of contemporary as well as functional tools? Is this your question or his? Not clear here While Ando uses architecture to reconcile the logic and spirit of new technologies, he realises â €˜that people always relate to the spirit of the place, or the spirit of the time. We are reminded that our cities themselves are more important than individual reputations and accomplishments. This is emphasized with Aldo Rossis claim that â€Å"places are stronger than people.†[43] legends, rituals and and genetics outlive any building silly Rossi but of course when you are a fascist power/ful structures are naturally more important than human life.- what do you believe in this- will see in conclusion Some have set forward the argument that is the architects role to unite construction, purpose and place. John Tuomey sets a clear demonstration of his desire for: getting feeling that drifting into PLACE may be dissipating argument of dissertation this section is called The possibility of craft within textile architecture- need to stay focused think comment about ‘strategy in Tuomeys quote is useful since its a shift from craft as ‘manual grafting to craft as ‘strategic thinking- very interesting the crafting occurs then within both the process and the product think I might bring this into my next paper- will reference you ORLA for inspiration ! â€Å"a way of thinking which would provide an integration between construction and the site, a re-casting of the redundant craft condition which by tradition would exploit local materials and harness indigenous skillsembedding an initial sense of strategy which could remain evident in the eventual experience of an actual building.†[44] Architecture needs mechanisms that allow it to become connected to culture. Tuomeys greatest insight is to declare â€Å"we are agents in the continuity of architectural culture†. He uses professional knowledge and experience to realise the choices architects face are not â€Å"the reaction of an individual moment, but the exercise of an established craft in the continuity of time†. I agree only 50% with this since I think Architecture has been exclusive and elitist and needs to deconstruct its genealogy at times- again very interesting Architecture can be viewed rationally and historically, its composite nature in structure, function and physical state combined with cultural, political and temporal aspects. Is this a sentence Architecture develops through new innovations connecting these forces, manifesting itself in new aesthetic compositions and affects. The most successful of which provide expressions that are contemporary, yet whose effects are resilient in time. Well said The question remains, will new effects of innovative detailing, experimental use of materials overcome the modernist failure to â€Å"visually soften or improve with age.†[45] As remarked by Alvar Aalto; â€Å"it is not what a building looks like on the day it is opened but what it is like thirty years later that matters.†[46] It is clear that craftsmanship is viewed in its preoccupation of the present, yet depends, as commented by Tony Fretton, on â€Å"relations between innovation and past events, between individual and collective activity.† [47] Architecture has had to adapt to the change caused by the industry and manufacturing, the individual genius, politics and the rhetoric at some level. It could be said in every historical age it is the people who aid change; they develop the analysis and ideal to what architecture should be. This can result in a tyranny as stated by William Curtis(date); â€Å"Detractors resorted to monolithic caricatures, blaming the mythical ‘modernism for everything from mindless materialism, to the destruction of national identity, to the construction of unbelievable housing schemes.†[48] This view is enforced by Alvar Aalto; â€Å"The architecture revolution, like all revolutions, begins with enthusiasm and ends in some form of Dictatorship.†[49] H owever it is individuals who can also move us on to create statements about the way the world should be, through forms, light, space and material. Think you need to rehease whay you were saying in this section and why as a reader I can get each statement but not the overall argument perhaps some mini conclusion at end of sections or re-statement of argument This again points out, emphasises Review of the development of Contemporary Textile Designs through Architecture Case Studies By the mid-twentieth century, largely influenced by the work of Frei Otto, a pioneer in the creation of tensile fabric structures, new developments began in the area of self-supporting membrane structures. Textile construction began ‘taking on a permanence, as an alternative to classical architecture, which it had never seen before.[50] His design for the Munich Olympic Stadium, set â€Å"new standards of material performance and aesthetic in textile architecture with tent, net, pneumatic and suspended constructions.[51] Through the use of technological advancement, pneumatic structure